Dr Joe Moshenska, Trinity
After receiving my BA from Sidney Sussex College, Cambridge, I spent a year at Princeton as the Eliza Jane Procter Visiting Fellow. I stayed in Princeton to complete my PhD, and was elected as a fellow of Trinity College in 2010. I am one of the Directors of Studies in English at Trinity, where I mostly teach Renaissance literature with some forays into earlier and later periods. A lot of this teaching ends up circling, in one way or another, around the relationship between words and bodies. I particularly enjoy teaching the Tragedy paper, which allows me to leap from Shakespeare to later passions such as Hegel, The Wire, and Cindy Sherman. I often supervise dissertations on Spenser and Milton, and on connections between literature, science and theology. I've had particular fun working with students on topics such as slime, puppets and honey in renaissance literature.
My first book, Feeling Pleasures: The Sense of Touch in Renaissance England (OUP, 2014), explored the varied and contested importance of touch in the sixteenth and seventeenth centuries. I combined sustained analyses of specific figures - particularly Edmund Spenser, Lancelot Andrewes, and John Milton - with explorations of a variety of contexts: the touching of relics and the Eucharist, of paintings and sculptures, the role of touch in faith healing and experimental science, the philosophical history of tickling, and the early reception of Chinese medicine in England.
My current research has two strands. The first of these concerns the seventeenth century polymath Kenelm Digby (1603-65), whose interests spanned literature, theology, natural philosophy, mathematics, alchemy and cookery. My book - A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby - was published by William Heinemann in May 2016. It focuses on Digby’s voyage around the Mediterranean in 1628, during which he fought a sea-battle near Turkey, freed English slaves from Algiers, collected Arabic manuscripts, stole ancient statues, and wrote criticism on Spenser’s poetry and a romance autobiography on a Greek island. I am also editing Digby's correspondence for OUP (under contract, projected publication 2019), for which I have discovered a significant number of new letters.
The second strand of my research is a book provisionally titled Iconoclasm as Child’s Play (under contract with Stanford University Press), which begins with the fact that, during the Reformation, holy things were sometimes given to children as toys rather than being broken or burned. In it I consider the conceptual intersections between iconoclasm and play in sixteenth century culture, in later philosophical writing (especially Adorno, Agamben and Gell), and in the poetry of Spenser.
In January 2017 I will present parts of my work on iconoclasm and play during a week as a Visiting Distinguished Scholar at the Centre for Medieval and Renaissance Studies at UCLA.
My research has been supported by the Leverhulme Trust, the British Academy, the Cambridge Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), the Andrew W. Mellon Foundation and the American Council of Learned Societies.
I enjoy finding ways of communicating my research to a wide and varied audience. In 2015 I was selected as one of the ten BBC/AHRC New Generation Thinkers. I presented aspects of my work on Radio 3 during 2015-16, and have continued to do so. My most recent appearance was on a panel discussion on another of my particular preoccupations, Caravaggio: http://www.bbc.co.uk/programmes/b07yb8wq .
My reviews and essays have appeared in publications including The TLS, The White Review, The Financial Times, and The Observer.
- A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby (William Heinemann, 2016). Reviews: The Times, April 30th 2016; The Guardian, 1st May 2016; Daily Telegraph, May 1st 2016; Sunday Times, May 15th 2016; TLS, 19th May 2016; Literary Review, May 2016; The Economist, 28th May 2016; The Spectator, June 18th 2016
- Feeling Pleasures: The Sense of Touch in Renaissance England (Oxford University Press, 2014). Reviews: TLS, 28th October 2015; The Seventeenth Century 30.3; Review of English Studies 66.277; Renaissance Quarterly 69.1.
- ‘Aristotle and the Virtues,’ in Edmund Spenser in Context, ed. Andrew Escobedo (CUP, 2016).
- ‘Sir Kenelm Digby's Interruptions: Piracy and Lived Romance in the 1620s’, Studies in Philology 113 (2016), pp. 424-84.
- ‘Why Can’t Spenserians Stop Talking About Hegel? A Response to Gordon Teskey,’ Spenser Review 44.1.2 (Spring-Summer 2014).
- ‘“A sensible touching, feeling and groping”: Metaphor and Sensory Experience in the English Reformation,’ in Passions and Subjectivity in Early Modern Culture, ed. Brian Cummings & Freya Sierhuis (Ashgate, 2013).
- ‘The Forgotten Youth of Allegory: Figures of Old Age in The Faerie Queene,’ Modern Philology 110.3 (February 2013), pp. 389-414. (Awarded the Isabel McCaffrey Prize by the International Spenser Society for best essay on Spenser, 2013-14).
- ‘“Spencerus isthic conditur”: Kenelm Digby’s transcription of William Alabaster,’ Spenser Studies 27 (2012), pp. 315-28.
- ‘“Transported Touch”: The Sense of Feeling in Milton’s Eden,’ English Literary History 79.1 (Spring 2012), pp. 1-31.