Prof Steve Connor, Peterhouse

 

 

Biographical Information

I studied for a BA and DPhil in English at Wadham College, Oxford from 1973 onwards, gaining my DPhil in 1980. I became Lecturer in English at Birkbeck College, London in 1980, where I was Professor of Modern Literature and Theory from 1994. From 2003 to 2012, I was Academic Director of the London Consortium Graduate Programme in Humanities and Cultural Studies. I have been Grace 2 Professor of English in Cambridge since 2012. From October 2018, I will be Director of CRASSH.

Research Interests

My research interests usually have their rise in the literature and culture of the nineteenth and twentieth centuries, though most turn out to have a longer historical contour. My areas of interest include magical thinking; the history of medicine; the cultural life of objects and the material imagination; the relations between culture and science; the philosophy of animals; the body, sense and sexuality; literature, numbers and economics; literature and technology; collective feeling and fantasy; and the history of sound, voice and auditory media. I have also written on contemporary art for Cabinet, Tate Etc, Modern Painters and others, and broadcast for radio almost whenever I am asked. My most recent book is Dream Machines (2017), about the history of imaginary machines and mechanisms, which is part of the Technographies series I coedit for Open Humanities Press. Two books are forthcoming: The Madness of Knowledge: On Wisdom, Ignorance and Fantasies of Knowing  (Reaktion 2019), and Manners: Civility, Standing Aside and the Power of Limit. I am currently investigating socioendocrinological signalling and developing the field of contumelics, or the pragmatics of scorn.

Areas of Graduate Supervision

Nineteenth-, twentieth- and twenty-first-century literature and its contexts; literary and cultural theory; modern art; visual and material culture; literature and economics; medical humanities; animal studies; voice and sound studies; the body and senses; culture, science and technology; collective excitement; sociopragmatics.

Selected Publications

These are my publications since 2014. The links given are mostly to the versions on my website, stevenconnor.com, which provides a full list of my publications, along with the texts of unpublished essays, broadcasts and lectures.

Books

Beyond Words: Sobs, Hums, Stutters and Other Vocalizations (London: Reaktion/Chicago: University of Chicago Press, 2014)

Beckett, Modernism and the Material Imagination (Cambridge: Cambridge University Press, 2014)

Living By Numbers: In Defence of Quantity (London: Reaktion/Chicago: University of Chicago Press, 2016)

Dream Machines (London: Open Humanities Press, 2017)

Essays

'Rustications: Animals in the Urban Mix', in The Acoustic City, ed. Matthew Gandy and B.J. Nilsen (Berlin: Jovis, 2014), pp. 16-22

‘Spellings Things Out’, New Literary History, 45 (2014): 183-97

‘ “Was That a Point?” Beckett’s Punctuation’, in The Edinburgh Companion to Beckett and the Arts, ed. S.E. Gontarski (Edinburgh: Edinburgh University Press, 2014), pp. 269-81

'Scilicet: Kittler, Media and Madness', in Kittler Now: Critical Perspectives in Kittler Studies, ed. Stephen Sale and Laura Salisbury (Cambridge and Malden MA: Polity, 2015), pp. 115-31

'Guys and Dolls'Women: A Cultural Review, 26 (2015): 129-41

‘Literature, Technology and the Senses’, in The Cambridge Companion to the Body in Literature, ed. David Hillman and Ulrika Maude (Cambridge: Cambridge University Press, 2015), pp. 177-96

‘Choralities’, Twentieth-Century Music, 13 (2016): 3-23

'Vocus Pocus', in This Is A Voice: 64 Exercises to Train, Project and Harness the Power of Your Voice,  ed. Jeremy Fisher and Gillyanne Kayes (London: Profile, 2016), pp. 6-16

'Numbers It Is: The Musemathematics of Modernism', in Moving Modernisms: Motion, Technology, and Modernity, ed. David Bradshaw, Laura Marcus and Rebecca Roach (Oxford: Oxford University Press, 2016), pp. 98-109

'The Game of Work: Ai Weiwei and Wittgenstein', Ai Wewei: Cubes and Trees (Cambridge: Heong Gallery, Downing College, 2016), pp. 23-7

'Decomposing the Humanities', New Literary History, 47 (2016): 275-88

‘How To Do Things With Writing Machines’, Writing, Medium, Machine: Modernist Technographies, ed. Sean Pryor and David Trotter (London: Open Humanities Press, 2016), pp. 18-34

'The Return of Finitude', Textual Practice, 30 (2016), 1165-6

‘Modernism After Postmodernism’, The Cambridge History of Modernism, ed Vincent Sherry (Cambridge: Cambridge University Press, 2017), pp. 820-34

'Two-step, Nerve-tap, Tanglefoot: Tapdance Typologies in Cinema', in Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film, ed. Julian Murphet, Helen Groth and Penelope Hone (Edinburgh: Edinburgh University Press, 2017), pp. 211-27

 'Acousmanie' [in French], trans. Marie Verry, in Max Feed: Oeuvre et héritage, ed. Daniele Balit, special issue hors-série, Revue d'ailleurs (Besançon) (2018), 67-72

 Forthcoming

‘The Chronopher’, Oxford Handbook of Voice Studies, ed. Kathy Meizel and Nina Sun Eidsheim (Oxford: Oxford University Press, 2019)

‘Imaginary Energies: The Arts of Perpetuity’, in Energy in the Arts, ed. Douglas Kahn (Cambridge MA: MIT Press, 2018)

'The Word on the Street: Public Reading and Reading in Public', in Further Reading, ed. Matthew Rubery and Leah Price (Oxford: Oxford University Press, 2018)

'Datelines', in The Palgrave Handbook of Mathematics and Literature, ed. Alice Jenkins, Robert Tubbs and Albert Wachtel (London: Palgrave, 2018)

'Skeletons in the Closet: Wire Hangers', Dirty Furniture. 4 (2018)

'Admiring the Nothing of It: Shakespeare and the Senseless', in Shakespeare/Sense, ed. Simon Smith (London: Bloomsbury 2019)

The Madness of Knowledge: On Wisdom, Ignorance and Fantasies of Knowing (London: Reaktion, 2019)