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| Volume 12 |
1992 |
Number 1 |
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Articles |
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BRENDA CANTAR Charmed Circles of Enchantment: Pre-Oedipal Fantasies in Sir Philip Sidney's Arcadia |
3 | |
MARVIN HUNT Consorting With Catholics: Sir Philip Sidney and 'The Prayers Of All Good Men" |
21 | |
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ANNE LAKE PRESCOTT Concerning Epitaphia in Mortem... Sidneji |
29 | |
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CHRISTOPHER MARTIN Alan Hager, Dazzling Images: The Masks of Sir Philip Sidney; Hager, Shakespeare's Political Animal Schema and Schemata in the Canon |
32 | |
JEROME S. DEES Philippa Berry, Of Chastity and Power: Elizabethan Literature and the Unmarried Queen |
35 | |
MARY ELLEN LAMB Jonathan Crewe, Trials of Authorship: Anterior Forms and Poetic Reconstruction from Wyatt to Shakespeare |
39 | |
C. STUART HUNTER Michael R. G. Spiller, The Development of the Sonnet: An Introduction |
43 | |
ROBERT E. STILLMAN Anne Drury Hall, Ceremony and Civility in English Renaissance Prose |
46 | |
ARTHUR F. KINNEY Neda Jeny, Notable Images of Virtues and Vices: Character Types in Sir Philip Sidney's New Arcadia |
49 | |
| Reid Barbour, Deciphering Elizabethan Fiction | 52 | |
| Neil Rhodes, The Power of Eloquence and English Renaissance Literature | 53 | |
MICHAEL H. KEEFER Hilary Gatti, The Renaissance Drama of Knowledge: Giordano Bruno in England |
55 | |
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SUSAN OLDRIEVE 'Left, Out, or Left Out. The Self- Understanding of Medieval Studies Today" and "Writing Renaissance Biography: Sidney and Spenser": Thoughts on Two Conference Sessions at Kalamazoo, 1992 |
58 | |
M. L. DONNELLY Howard Felperin, The Uses of the Canon. Elizabethan Literature and Contemporary Theory |
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