In this year’s Hugh Maclean lecture, Roland Greene describes Spenser’s “unwritten poetics.”
Andrew Hadfield reviews the latest offering from The Manchester Spenser, an edition of Ralph Knevet’s A Supplement of the Faerie Queene prepared by Christopher Burlinson and Andrew Zurcher.
Willy Maley reviews a new collection from Cambridge on The Shakespeare Circle:
“The fore-title and subtitle suggest something new and different, but the kind of ‘circle’ on offer here is not what many readers would understand from other Early Modern explorations of literary circles, and is ‘alternative’ in ways one would not expect…”
Welcome to the SpR Forum! Respond to reviews, offer suggestions for the web site, post CFPs, announce forthcoming publications … we’d love to hear from you.
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Bas relief from the exterior of the Scuola San Giorgio degli Schiavoni in Venice. Photo courtesy of Roger Kuin.
- David Aers, Beyond Reformation? —
- Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England —
- Jane Grogan, The Persian Empire in English Renaissance Writing, 1549-1622 —
- Paul J. Hecht and J. B. Lethbridge, eds., Spenser in the Moment —
- Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds., Love, History and Emotion in Chaucer and Shakespeare —
- Joe Moshenska, Feeling Pleasures: The Sense of Touch in Renaissance England —
- David Quint, Inside Paradise Lost —
- Ayesha Ramachandran, The Worldmakers: Global Imagining in Early Modern Europe —
- Marina Tarlinskaja, Shakespeare and the Versification of English Drama, 1561-1642 —
- Bart van Es, Shakespeare in Company —