The eighteenth-century and romantic studies graduate seminar meets for the second time this term on Thursday (31st January) at 4.45pm in the English Faculty board room. Professor Karen O’Brien from the University of Birmingham will talk about ‘The Re-Rise of the Novel, 1750-1820’, chaired by Dr Louise Joy. Everyone is most welcome to attend.
On Wednesday 30th January, Dr Adam Fox from the University of Edinburgh will present a paper entitled ‘The Making of the Scottish Chapbook, 1680-1760’. The Early Modern British and Irish Seminar meets at 5.15pm in the Graham Storey Room, Trinity Hall. The seminar is followed by a drink and dinner, to which all are welcome.
On Tuesday the 29th January Professor Ian McBride will address the Cambridge Group for Irish Studies on ‘Jonathan Swift and the Whole People of Ireland’. The seminar will be held at 8.45pm in the Parlour, Magdalene College, and all are welcome to attend.
In his inflammatory Letter to the Whole People of Ireland (1724) Swift complained that ‘all Government without the Consent of the Governed is the very Definition of Slavery’. Accordingly he repudiated the idea of Ireland’s subordination to Britain, a longstanding English assumption embodied in the Declaratory Act of 1720. At a tempestuous gathering of the Irish privy council on 27 October 1724, Lord Carteret called for the prosecution of the printer of this ‘Wicked and Malicious Pamphlet’ and offered a reward of £300 for anyone who would disclose the identity of the seditious author. What had begun as a dispute between the fictional ‘Drapier’ and the Wolverhampton ironmonger William Wood was escalating into a dangerous confrontation between the Irish people and the British parliament. It was also an increasingly personal struggle between Jonathan Swift, now hardly bothering with his literary disguise, and Robert Walpole. 1724 saw an unprecedented mobilisation of public opinion in Ireland. The forced withdrawal of the patent was a humiliating defeat for London ministers used to subordinating Ireland’s political and economic interests to their own. It also transformed Swift’s political standing. The ageing reactionary was dramatically reincarnated as the ‘Hibernian patriot’, a popular hero whose birthday was celebrated by the Dublin crowd and whose example inspired later generations of Irish nationalists. But what did Swift mean when he claimed that Ireland was in a state of slavery, and who were the ‘whole people’ of Ireland?
About the Speaker:
Ian McBride is Professor of Irish and British History at King’s College London. His most recent book is Eighteenth-Century Ireland: The Isle of Slaves (2009), and he is currently completing Irish Political Writings 1: The Cambridge Edition of the Works of Jonathan Swift.
A Window on Antiquity: the Topham Collection at Eton College Library
Collecting and the Grand Tour in Eighteenth-Century England
The Paul Mellon Centre for Studies in British Art
17 May 2013
This conference will accompany the exhibition Paper Palaces: the Topham Drawings as a
Source for British Neo-Classicism to be held at Eton College Library, Verey Gallery, 9 May–1 November 2013
The conference organisers invite proposals for papers on any aspect of the Topham Collection.
Special consideration will be given to papers examining the Topham Collection in relation to British and European antiquarian and artistic culture. Cross-disciplinary and comparative studies are particularly welcome. The conference, jointly hosted by Eton College, The Paul Mellon Centre for Studies in British Art and The University of Buckingham, will be held in London at The Paul Mellon Centre on 17 May, 2013. Selected papers may be published in an edited volume.
For further information please see the official call for papers. The deadline for proposals to reach the organisers is the 10th February 2013.
On Monday 21st January Carl Griffin, from Queen’s University, Belfast, will address the Modern British History graduate seminar on ‘The Culture of Combination: Forging Solidarities in Rural England, 1815-c.1840’. The seminar will meet at 5pm in the Nihon Room, Pembroke College.
We are pleased to announce that Class and the Canon: Constructing Labouring-Class Poetry and Poetics, 1780-1900, edited by Kirstie Blair and our very own Mina Gorji, has been published by Palgrave Macmillan. You can have a quick look inside, and read some glowing snippet reviews, on amazon.
The eighteenth-century and romantic studies seminar meets for the first time this term on Thursday 17th of January, at 4.45pm in the English Faculty boardroom. Katherine Halsey will be talking about ‘Jane Austen and Gilpin’s Picturesque’, chaired by Sophie Read. To read an abstract of the paper and to find out more about our speaker, please visit our seminar page. A preview image, to whet our appetites for Gilpin’s landscapes, is also included!