{"id":716,"date":"2021-04-30T11:02:54","date_gmt":"2021-04-30T11:02:54","guid":{"rendered":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/?page_id=716"},"modified":"2021-04-30T15:20:06","modified_gmt":"2021-04-30T15:20:06","slug":"primordial-yew-thomas-hardys-tess-of-the-durbervilles-1891","status":"publish","type":"page","link":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/primordial-yew-thomas-hardys-tess-of-the-durbervilles-1891\/","title":{"rendered":"Pollard Willows &#8211; Thomas Hardy&#8217;s &#8216;Tess of the D&#8217;Urbervilles&#8217; (1891)"},"content":{"rendered":"\n<div class=\"wp-block-cover has-background-dim has-parallax is-repeated\" style=\"background-image:url(https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-content\/uploads\/2021\/04\/Tess.jpg);min-height:1000px;aspect-ratio:unset;\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center\" style=\"font-size:19px\"><strong><em>At last she got away, and did not stop in her retreat till she was in the thicket of pollard <a href=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/willow\/\" data-type=\"URL\" data-id=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/willow\/\">willows<\/a><\/em><\/strong> <strong><em>at the lower side of the barton, where she could be quite unseen. Here Tess flung herself down upon the rustling undergrowth of spear-grass, as upon a bed, and remained crouching in palpitating misery broken by momentary shoots of joy<\/em><\/strong> [&#8230;] <\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:19px\"><strong><em>At half-past six the sun settled down upon the levels with the aspect of a great forge in the heavens; and presently a monstrous pumpkin-like moon arose on the other hand. The pollard willows, tortured out of their natural shape by incessant choppings, became spiny-haired monsters as they stood up against it.<\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<p>In his <em>Tess of the D&#8217;Urbervilles<\/em> (1891), Thomas Hardy challenges the sexual morals of Victorian society. The eponymous Tess, rendered a &#8216;maiden no more&#8217; after she is subjected to the wicked overtures of the novel&#8217;s villain, Alec D&#8217;Urberville, is thrust into a dilemma when her beloved, Angel Clare, later proposes to her. In this excerpt, she can be seen agonising over whether she can possibly accept his hand in marriage without revealing her &#8216;fallen&#8217; condition to him. The <a href=\"https:\/\/www.bl.uk\/collection-items\/tess-of-the-d-urbervilles-published-in-the-graphic\">above image<\/a> is an illustration that appeared in the original serialised run of the novel in <em>The Graphic<\/em> in 1891. Subtitled &#8216;Tess flung herself down upon the undergrowth&#8217;, it corresponds exactly to this excerpt. <\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1025\" height=\"742\" src=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-content\/uploads\/2021\/04\/pollard-1.jpeg\" alt=\"\" class=\"wp-image-800 size-full\" srcset=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-content\/uploads\/2021\/04\/pollard-1.jpeg 1025w, https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-content\/uploads\/2021\/04\/pollard-1-300x217.jpeg 300w, https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-content\/uploads\/2021\/04\/pollard-1-768x556.jpeg 768w\" sizes=\"auto, (max-width: 1025px) 100vw, 1025px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Pollarding is a pruning technique which involves  removing the upper branches of trees at regular intervals. Doing this promotes new growth which can be harvested to create a steady supply of wood. It lengthens the lives of trees by arresting them at a partially juvenile state. See, to the left, Vincent Van Gogh&#8217;s oil painting <em>Landscape with Pollard Willows <\/em>(1884) to get some idea of how Hardy&#8217;s <a href=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/willow\/\" data-type=\"page\" data-id=\"796\">willows<\/a> might look like &#8216;spine haired-monsters&#8217; to Tess.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/willow\/\">Click here for more examples of willows.<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In his Tess of the D&#8217;Urbervilles (1891), Thomas Hardy challenges the sexual morals of Victorian society. The eponymous Tess, rendered a &#8216;maiden no more&#8217; after she is subjected to the wicked overtures of the novel&#8217;s villain, Alec D&#8217;Urberville, is thrust into a dilemma when her beloved, Angel Clare, later proposes to her. In this excerpt, she can be seen agonising over whether she can possibly accept his hand in marriage without revealing her &#8216;fallen&#8217; condition to him. The above image is an illustration that appeared in the original serialised run of the novel in The Graphic in 1891. Subtitled &#8216;Tess [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-716","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/pages\/716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/comments?post=716"}],"version-history":[{"count":14,"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/pages\/716\/revisions"}],"predecessor-version":[{"id":803,"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/pages\/716\/revisions\/803"}],"wp:attachment":[{"href":"https:\/\/www.english.cam.ac.uk\/research\/plantlife\/wp-json\/wp\/v2\/media?parent=716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}