Editorial Introduction
Why do we read Spenser now? To an extent, this is the meta-question of all Spenserian criticism, but it is particularly at the heart of this special edition of Spenser Review, dedicated to creative responses to his work. Read more…
Spenserian Poetry
Spenserian Poets
Creative Criticism
Digital Projects
Bas relief from the exterior of the Scuola San Giorgio degli Schiavoni in Venice. Photo courtesy of Roger Kuin.
Reviews
- Richard Danson Brown, The Art of The Faerie Queene —
- Russ Leo, Katrin Röder, and Freya Sierhuis, eds., Fulke Greville and the Culture of the English Renaissance —
- Rachel Stenner, The Typographic Imaginary in Early Modern English Literature —
- Helen M. Hickey, Anne McKendry and Melissa Raine, eds., Contemporary Chaucer Across the Centuries: Essays for Stephanie Trigg —
- Diarmaid MacCulloch, Thomas Cromwell, A Life —
- Stewart Mottram, Ruin and Reformation in Spenser, Shakespeare, and Marvell —
- Daniel Hershenzon, The Captive Sea: Slavery, Communication, and Commerce in Early Modern Spain and the Mediterranean —
- John Kerrigan, Shakespeare’s Originality —
- Abraham Stoll, Conscience in Early Modern English Literature —
- Jonathan Morton, The ‘Roman de la Rose’ in its Philosophical Context: Art, Nature, and Ethics —
- Colleen Ruth Rosenfeld, Indecorous Thinking: Figures of Speech in Early Modern Poetics —
- Joseph William Sterrett, ed., Prayer and Performance in Early Modern English Literature: Gesture, Word and Devotion —
- Charles Stanley Ross and Joel B. Davis, Arcadia: A Restoration in Contemporary English of the Complete 1593 Edition of The Countess of Pembroke’s Arcadia —
- Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds., Rereading Chaucer and Spenser: Dan Geffrey with the New Poete —
Abstracts