Petrarch is everywhere in Spenser, though a cursory glance would suggest that he is present largely to be amended by his successor. Amoretti, appearing in 1595 at the peak of the vogue for English sonnet sequences in the mode of Petrarch’s Canzoniere, can be read as a genial rebuke to the Petrarchan valorisation of chastity over companionate marriage. Read more…
Comments
The capacity to construct and project a range of voices and identities would have appealed to him, as would the endless capacity of Twitter to grandstand, amplify and nit-pick.
Link / ReplyYou must log in to comment.