Rachel Eisendrath raises the possibility that Queen Elizabeth’s motto, ‘video et taceo’ (‘I see and keep silent’), describes not only the powerfully coiled comportment of the queen – but also the taut presence of aesthetic objects. Focusing on the first half of Edmund Spenser’s 1595 Amoretti, Eisendrath explores the narrator’s process of interpreting the silence of the woman at the center of these sonnets (Elizabeth Boyle, Spenser’s future wife) as akin to the reader’s process of interpreting the poems, or by extension of interpreting artworks in general. What is at stake in this essay is the role of imagination in interpretation, and the unstable dynamic between speech and silence. Read more…
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There are many poems about the queen, but I think each poem has a different way of expressing it.
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