Dr Helen Charman, Clare
hmhc2@cam.ac.uk

Biographical Information
I am a Fellow, College Teaching Officer and Director of Studies in English at Clare College. Before joining Clare, I spent three years as a Teaching Fellow in English Studies at Durham University, and I have taught both English and Creative Writing at Anglia Ruskin University, Camberwell College of Arts, the University of Glasgow, where I remain an Affiliate in the School of Critical Studies, and at Glasgow School of Art, where I am an external doctoral supervisor. I completed my BA and MPhil degrees at Emmanuel College, and my AHRC-funded PhD at Trinity Hall.
Research Interests
My research is broadly focused on the relationship between literary representation, social history—particularly history from below—and psychoanalysis, from the nineteenth century to the present day. My first book, Mother State, combines a variety of interpretative modes to consider mothering as an explicitly political and public act, from 1970 to the present. I’m currently preparing my doctoral thesis, George Eliot's Generative Economies, for publication as a monograph, and I'm working on two new projects: the first is another public-facing book, Hothouse Freaks, about the psychosocial history of the governess in nineteenth- and early-twentieth-century literature and culture. The second is an academic monograph, Deep Down Below the Memory, that considers the relationship between the psychoanalytic case history and narrative style, from George Eliot’s influence on Sigmund Freud to Lydia Davis’s relationship to Melanie Klein. I also have a particular interest in experimental modern lyric poetry​.
I regularly write critical essays about literature, film and visual art for The White Review, Parapraxis, Art Review, Another Gaze, and Frieze, among others, and chair public events: recently, for example, at the Edinburgh International Book Festival, the Wellcome Collection, Cambridge Literary Festival, and the Southbank Centre. I held an editorial residency at MAP magazine, funded by Creative Scotland, from 2020-2021.
Areas of Graduate Supervision
I'd be very happy to supervise work in areas related to my research interests.
Selected Publications
Books:
Mother State: a political history of motherhood (Penguin/Allen Lane, 2024)
Journal Articles and Book Chapters:
'Introduction to the second edition', Daddy Issues, Katherine Angel (Peninsula Press, forthcoming 2025)
'Double Negatives: Lydia Davis’s Case Histories', in Essays on Lydia Davis, eds. Lola Boorman and Julie Tanner (forthcoming 2025)
'Cheap talk: conversation, gender, and labour in Talking to Women, The Pumpkin Eater, and The Golden Notebook', Feminized Work and the Labour of Literature, ed. Ida Askov Dolmer, Emily Hogg, and Charlotte J. Fabricius (Edinburgh University Press, 2025)
'Affective Publishing Histories: Virago, the Women’s Movement and the Welfare State, 1975-1990', Essays and Studies: Literature and Welfare, ed. Jess Cotton (Boydell & Brewer, 2024)
‘The Artefact of Losing: On the (Bio)poetics of Miscarriage’ (with Christopher Law), The Body Productive, ed. Steffan Blayney, Joey Hornsby and Savannah Whaley, (Bloomsbury, 2022)
‘Foreword to the second edition’, small white monkeys, Sophie Collins (Book Works, 2022)