Dr Sarah Kennedy, Downing



Biographical Information

Sarah Kennedy is a Fellow, Part I Director of Studies, and Development Ambassador at Downing College. She has given lectures and talks in the UK, US, Australia, and Italy, and has appeared on Sky Arts speaking about the poetry of T. S. Eliot. In 2017 she was a Visiting Fellow at Pomona College, Claremont, California. Her essay, "'We reason of these things with a later reason': Plain Sense and the Poetics of Relief in Eliot and Stevens" was awarded the John Serio Award 2019 at the 2020 MLA. The prize is awarded by a committee from the Board of The Wallace Stevens Journal, and recognises the best essay published in the year's two issues. 

Sarah has honours degrees in Political Science and English Literature, and Law from the University of Melbourne, Australia. She was awarded a Rae and Edith Bennett Travelling Scholarship to undertake her doctoral studies at the University of Cambridge. After completing her Ph.D. (St. John’s, 2012), she held a Research Fellowship at Downing College, Cambridge, from 2013 to 2017.

Her book T. S. Eliot and the Dynamic Imagination (Cambridge University Press, 2018) follows in the tradition of histories of the Romantic and Victorian poetics of originality, but focusses on the twentieth-century legacy of those histories and their interrelation with parallel fields of knowledge. It charts the relations between metaphor and creativity in T. S. Eliot's poetry and criticism through their affinities with discursive developments in 'new physics', optics, colour theory, cognitive psychology, and anthropology. 

You can see her talk 'Elisabeth Frink: Touching Magic' at AFTERLIFE: A Symposium on the Life and Work of DAME ELISABETH FRINK (2018) here.

She is currently working on a variety of creative projects as well as an academic monograph tentatively titled The Self Made Strange: Landscape and Self-Estrangement in Postwar Lyric Poetry. This study explores metaphor as the active principle underlying the processes of transmission and assimilation (as well as the vertical pressure of literary influence) that generate creative and ethical tensions within the lyrical selfhood of three exemplary mid-century poets: Seamus Heaney, Elizabeth Bishop and Judith Wright.

Research Interests

Twentieth-century and contemporary Anglophone poetry, early and high modernism, metaphor, narrative in film and prose fiction, nature-writing, vibrant materialism, and ecopoetics, the pelagic imaginary, the energy unconscious, trauma, the uncanny, literary self-conception, originality, and allusion. She is especially intrigued by questions of poetic influence and the literary afterlives of poets. She is also interested in the postcolonial literatures of the Pacific, including Aotearoa/New Zealand and Australia, and in trans-regional encounters between these literatures and modernist diasporas.

Areas of Graduate Supervision

***Please note that Dr Kennedy is on research leave for the rest of 2020-21***

Sarah supervises on the Practical Criticism paper for Parts I and II; the Part I 7B Paper English Literature and its contexts 1870 to the present; and on the Postcolonial paper (Pacific Region) for Part II, as well as individual Part I and II dissertations. She is not currently taking on graduate supervision.

In 2020 Sarah was a finalist in the CUSU Student-Led Teaching Awards.

Selected Publications




Articles and Chapters

  • Kennedy, S., ‘Poetry and the Deed of Reading: Forms of Attention and Immersion', forthcoming, in Educating Character Through The Arts, ed. Laura D'Olimpio, Panos Paris, and Aidan Thompson (Routledge, 2021)
  • Kennedy, S., ‘the water is in my thinking now’: Alice Oswald, poikilomÄ“sis and classical presences', forthcoming, in The Yearbook of English Studies (2021)
  • Kennedy, S., 'Florida', forthcoming, in Elizabeth Bishop in Context, ed. Angus Cleghorn and Jonathan Ellis (Cambridge University Press, 2021)
  • Kennedy, S., 'Sea, Sky, Earth, and Spirit: The Aegean Suite (1971)', in Divided Circle: Barbara Hepworth (Heong Gallery, Downing College, Cambridge), November 2019
  • Kennedy, S., 'Elizabeth Bishop’s Fugitive Empathy’, in Reading Elizabeth Bishop: An Edinburgh Companion, ed. Jonathan Ellis (Edinburgh University Press, 2019)
  • Kennedy, S., ‘“We reason of these things with later reason”: Plain sense and the poetics of relief in Eliot and Stevens’, Wallace Stevens Journal, Vol 42, Number 1 (Spring 2018): 99–116
  • Kennedy, S., ‘Elisabeth Frink: Sculptor of living forms’, in Larger than Life: Dame Elisabeth Frink (Heong Gallery, Downing College, Cambridge), November 2017 
  • Kennedy, S., ‘Let these words answer: Ash-Wednesday and the Ariel Poems’, in The New Cambridge Companion to T. S. Eliot, ed. Jason Harding (Cambridge University Press, 2016)
  • Kennedy, S., ‘“Where’s home, Ulysses?” Judith Wright in Europe 1937’, Journal of Commonwealth Literature, 52.2 (August 2015), 331–349
  • Kennedy, S. ‘The “unknown, remembered gate”: Four Quartets as spiritual biography’, Literature & Aesthetics 18.1 (June 2008), 84-97