Oyvind Johannes Hamre, Downing
Course: English
Supervisor: Dr Christopher Tilmouth
Dissertation Title: The Suffering Stage: Visions of Human Helplessness in Early Modern Tragedy
Biographical Information
Hailing from Oslo, Norway, I studied for a Bachelor's of Literature at the University of Bergen, before getting my Master's from the University of Oslo. As part of my bachelor's degree, I spent a year at Sorbonne in Paris, taking courses in classical letters and languages.
I wrote my Master's on 'tragic choices' in Aeschylus’ Agamemnon, Goethe’s Iphigenie auf Tauris and Jean-Paul Sartre’s Les Mouches, where I explored how each writer's intellectual background shaped their depictions of the limits of human agency. I showed how literary motifs were used to create complex patterns of agency and responsibility, focusing especially on moments of doubt and anxiety in the face of a ‘tragic choice’.
I'm an Aker Scholar at Cambridge, and my doctoral studies are generously supported by the Aker Foundation.
Research Interests
My current research examines the intersection of Protestantism and Early Modern tragedy, focusing on how the new religious structures of experience established paradigms for suffering, sacrifice, truth, and despair.
My broader research interests include: the tragic genre and the idea of 'the tragic'; early modern intellectual history; Latin literature; agency and theories of the will; German idealism; intellectual history in classical Greece; and biblical exegesis in the Reformation.
Selected Publications
Conference Papers:
Word & Puzzles, Magdalen College, Oxford, March 2025: Riddling Language in Macbeth: Eduard Fraenkel, Aeschylus, and the griphos-metaphor
Society for Renaissance Studies Conference, Bristol, June 2025: 'I Stand For Sacrifice': Love and Martyrdom in The Merchant of Venice
Upcoming: Renaissance Society of America 2026 Conference in San Francisco: The Meaningful Death: Martyrdom and the Renaissance Experience
