Change and Exchange, 29 – 30 April 2016

Graham Storey Room, Trinity Hall

Screenshot 2016-01-13 12.57.05This two-day colloquium will explore ideas of change and exchange – and their implicit interrelation – across various early modern domains engaged with ways of knowing. It will put pressure on the wider notion of ‘economy’ itself and how it inflects our knowledge, management and articulations of the world. Using literary interventions and imaginative representations as a point of entry, these ‘exchanges’ will probe the dialogue between the period’s economic thinking and practices on the one hand, and the calculus of emotional and imaginative lives on the other. Day 1 will concentrate on economies of transformation across theology, law, literature and the aesthetics of representation; Day 2 will focus mainly on the cross-overs between the technologies of change in the market-place, and transactions in the sphere of cultural production.

This event is part of the research project, Crossroads of Knowledge in Early Modern England: the Place of Literature, a five-year ERC-funded project based at the Faculty of English and CRASSH, University of Cambridge.

Convenors:

Rachel E. Holmes, Subha Mukherji, Tim Stuart-Buttle, Elizabeth L. Swann

More information, programme and abstracts here.

DETAIL FROM QUENTIN MATSYS (1456/1466–1530), THE MONEYLENDER AND HIS WIFE (1514), WIKIMEDIA COMMONS

Interdisciplines: Drama, Economics and Law in Early Modern England, 17 October 2015

beere-bayting_crop2Trust Room, Fitzwilliam College
Conference fee: £25 (full), £10 (students/unwaged) – includes lunch, tea/coffee
Deadline: Monday 12 October 2015

Interdisciplines: Drama, Economics and Law in Early Modern England is a one-day colloquium which seeks to examine intersections between literature, law and economics in early modern England. As part of the broader, European Research Council-funded interdisciplinary project, Crossroads of Knowledge in Early Modern England: the Place of Literature, our speakers will be attentive to the epistemic intersections between drama and economy, drama and law: how did legal, social and economic practices of the time condition Renaissance drama? how did the early modern theatre respond to, and, in turn, shape the legal and economic life of the period? Our speakers are Maria Fusaro (Exeter); Quentin Skinner (QMUL), Becky Tomlin (Birkbeck), and Andy Wood (Durham). Papers will be followed by responses and Q&A sessions. The colloquium ends with a concluding panel chaired by Craig Muldrew.

Convenors:

Rachel E. Holmes, Subha Mukherji, Tim Stuart-Buttle, Elizabeth L. SwannKoji Yamamoto

Speakers:

Maria Fusaro (University of Exeter)
Quentin Skinner (Queen Mary, University of London)
Rebecca Tomlin (Birkbeck, University of London),
Andy Wood (University of Durham)

Panel Chair:

Craig Muldrew (University of Cambridge).

Panel Members:

Adrian Leonard (University of Cambridge), others TBC

More information, programme and abstracts here.

Wenceslas Hollar, The Long View of London (1642), via Wikimedia Commons

 

Early Modern Visual Marginalia, 1 May 2015

Graham Storey Room, Trinity Hall, 9.30am-1.00pmCrop_VisMargImage_2

A colloquium on early modern visual marginalia organised by the Department of History of Art, Trinity Hall, University Library, University of Cambridge.

Sponsored by Department of History of Art, University Library, Centre for Material Texts.

Covenor: Dr Alexander Marr

 

Programme:

Prof. William Sherman (V&A): ‘Sir Thomas Smith and the eye of history’

Dr Julian Luxford (University of St Andrews): ‘Plus ça change: renaissance and later images in the margins of medieval manuscripts’

Dr Alexander Marr (Cambridge) and Dr Kate Isard (Visiting Scholar, Cambridge): ‘A bit on the side: alchemical and erotic marginalia in Cartari’s Le imagini de i dei delli antichi

Dr Richard Oosterhoff (CRASSH, Cambridge): ‘From margins to endpapers: what doodles did in a Renaissance classroom’

Dr Francesco Benelli (Columbia): ‘Architects, readers and visual notation in Renaissance Italy’

For further information please contact Gaenor Moore