Dr Bonnie Lander Johnson, Selwyn

 

 

Biographical Information

I received my BA and MA from Sydney and Melbourne Universities before coming to Oxford on a Clarendon scholarship for my DPhil, which was supervised by Sharon Achinstein and Laurie Maguire. I taught briefly at Oxford before taking up a Lectureship and Fellowship at Selwyn, where I am Director of Studies for Part I, and an Affiliated Lectureship at the English Faculty. In Part I of the English Tripos I teach Shakespeare and Renaissance Literature and in Part II, I teach Tragedy, Material Renaissance and Early Modern Drama. I supervise dissertations across these subjects.

Research Interests

My first monograph, Chastity in Early Stuart Literature and Culture, traced the medical, theological, literary, and revolutionary uses of chastity from The Winter's Tale to the death of Charles I. It argued, among other things, that court 'performances', including royal birthing ceremonies, need to be considered part of the same debate as political and theological pamphlets. My subsequent project was Blood Matters, a collection of interdisciplinary essays as part of the Wellcome-Trust funded Blood Project. I am now writing about the Elizabethan botanical renaissance: a movement that involved a wide range of popular practices from domestic decorative arts to pedagogy, gardens and food, printed herbals, and the Shakespearean theatre itself.

My research covers Shakespeare; Ford; Webster; Milton; gender; genre; early modern medical, theological, and political history; gardens; domestic arts; birth and midwifery; court masques; Tudor and Stuart Petrarchism; material cultures; environmental humanities; medical humanities; and English performance of all kinds. 

 

Areas of Graduate Supervision

 Any of the above

 

Selected Publications

 Monographs:

Chastity in Early Stuart Literature and Culture (Cambridge University Press, 2015; paperback, 2017). Featured here: The Language and Literature of Chastity 

Shakespeare's Botany (in development for Cambridge University Press)

 

Edited Collections:

(With Eleanor Decamp, eds.), Blood Matters: Studies in European Literature and Thought, 1400-1700 (University of Pennsylvania Press, 2018).

 

Book Chapters:

‘“The blood of English shall manure the ground”: the almanac in Richard II’s vision of soil and body management’, in Hilary Eklund (ed.), Ground-Work: Soil Science in Renaissance Literature (Duquesne University Press, 2017), 59-78.

‘Blood, Milk, Poison: Romeo and Juliet’s tragedy of “green” desire and corrupted blood’, Blood Matters: Studies in European Literature and Thought, 1400-1700 (University of Pennsylvania Press, 2018), 134-150.

(With Eleanor Decamp), ’Introduction’, Blood Matters: Studies in European Literature and Thought, 1400-1700 (University of Pennsylvania Press, 2018), 1-14.

 

Journal Articles:

(With Beth Dubow) ‘Allegories of Creation: Glassmaking, Forests and Fertility in Webster's The Duchess of Malfi’, Renaissance Drama 45 (2017), 107-137.

(With Eleanor Decamp and Laurie Maguire, ’The Bloody Truth', Bulletin of the Society of Renaissance Studies 31 (2014), 11-13.

‘Interpreting the Person: tradition, conflict, and Cymbeline’s Imogen’, Shakespeare Quarterly 59:2 (2008), 156–184.

‘The Convention of Innocence and Sir Gawain and the Green Knight’s Literary Sophisticates’, Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 24:1 (2007), 41–66.

‘Critical Relationships: Sense & Sensibility on page and screen’, Sensibilities: The Journal of the Australian Jane Austen Society 32 (2006).

 

Reviews:

Bonnie Lander Johnson, JAN FRANS VAN DIJKHUIZEN, Pain and Compassion in Early Modern English Literature and Culture, The Review of English Studies 65 (2014).