Dr Sarah Meer, Selwyn
Sarah Meer is a Senior University Lecturer in English, and is also a Fellow and a Director of Studies at Selwyn College.
She took her BA and PhD degrees at Jesus College, Cambridge, and was the Keasbey Research Fellow in American Studies at Selwyn College between 1995-1998. She lectured at Nottingham Trent University during 1998-2003.
Her book Uncle Tom Mania was a finalist for the George Freedley Memorial Award and was widely reviewed, including in Victorian Studies, New England Quarterly, Legacy, American Literature, Journal of American Culture, Journal of Southern History, Journal of African American History, American Literary Scholarship, Civil War Book Review, Slavery and Abolition. Its first chapter has been reprinted in Elizabeth Ammons, ed. Harriet Beecher Stowe's Uncle Tom's Cabin: A Casebook (Oxford University Press, 2007) and partially reprinted in Harold Bloom, ed. Harriet Beecher Stowe's Uncle Tom's Cabin (Chelsea House, 2008).
Current research projects grow out of the different strands of Uncle Tom Mania: — transatlantic cultural connections in the nineteenth century; the textual and performative cultures of abolition; the nineteenth-century stage.
Nineteenth-century literature and culture: American, British and Transatlantic. Nineteenth-century fiction and popular theatre, especially minstrelsy, melodrama and comedy. African American literature. Transatlantic educations (including, for example, Alexander Crummell in Cambridge, 1849-52).
She is one of the convenors of the Society for Theatre Research's 2016 conference, Theatre in the Regency Era,
Areas of Graduate Supervision
Nineteenth-century and American topics
- 'Slave Narratives as Literature', Cambridge Companion to Slavery in American Literature, ed. Ezra Tawil (Cambridge University Press, 2016)
- 'Old Master Letters and Letters From the Old World: The Uses of Correspondence in Frederick Douglass's Newspapers', Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing, ed. Celeste Marie Bernier, Judie Newman, Matthew Pethers (Edinburgh University Press, 2016)
- 'Minstrelsy and Uncle Tom', in The Oxford Handbook of American Drama ed. Jeffrey Richards and Heather Nathans (Oxford University Press, 2014)
- 'Foreign Constellations in a National Drama: Becoming American in Boucicault's Belle Lamar', Nineteenth-Century Theatre and Film, 39/2, 2012
- 'Public and Personal Letters: Julia Griffiths and Frederick Douglass's Paper', Slavery and Abolition 33, 2012
- 'Chapter XXX' Commentary for Uncle Tom's Cabin in the National Era (online republication): Harriet Beecher Stowe-Center, Hartford, 2012 http://nationalera.wordpress.com/further-reading/1753-2/
- 'Three Farces' (translated into Japanese by Beniko Imamura) - Higeki Kigeki (Tragedy and Comedy: Japanese theatrical magazine), 2011
- 'Boucicault's Misdirections: Race, Transatlantic Theatre and Social Position in The Octoroon', Atlantic Studies 6, 2009
- 'Douglass as Orator and Editor', The Cambridge Companion to Frederick Douglass, ed. Maurice E. Lee, 2009
- 'Dion Boucicault, the "Political Shaughraun": Transatlantic Irishness and an International Theatre', Symbiosis: A Journal of Anglo-American Literary Relations 10, 2006
- (with Denise Kohn and Emily B Todd), 'Introduction: Reading Stowe as a Transatlantic Writer', Transatlantic Stowe: Harriet Beecher Stowe and European Culture, ed. Denise Kohn, Sarah Meer, and Emily B. Todd (University of Iowa Press, 2006)
- 'The Libyan Sibyl: Slavery, Neoclassical Images, and a Non-Atlantic Africa', Complexions of Race: the African Atlantic, eds. Fritz Gysin and Cynthia S. Hamilton, (LIT. Verlag, 2005)
- Uncle Tom Mania: Slavery, Minstrelsy and Transatlantic Culture in the 1850s (University of Georgia Press, 2005)
- 'Competing Representations: Douglass, the Ethiopian Serenaders and Ethnic Exhibition in London', Liberating Sojourn: Frederick Douglass and Transatlantic Reform, eds. Martin Crawford and Alan Rice (University of Georgia Press, 1999)