PACE (Professional and Continuing Education) is the home of the Centre for Creative Writing at University of Cambridge. This year, we announced our updated part-time Master’s in Creative Writing course, where students will have the opportunity to study poetry across two years at Newnham College. To mark the occasion, we’re collaborating with Propel Magazine to launch […]
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The Performance Art of Elaine Mitchener, December 3rd, 6.30pm, Judith E. Wilson Studio
Core to the performance work of Elaine Mitchener is her commitment to poetry and literature, which emerges as a complex sonic engagement with many 20th century writers, from N.H Pritchard and Edward Kamau Brathwaite, to Una Marson and Aime Cesaire. Mitchener has collaborated with musicians and artists such as Sonia Boyce, The Otolith Collective, Moor […]
Continue ReadingDominic O’Key publishes open access chapter on Arundhati Roy and vulture extinction in ‘Science, Culture, and Postcolonial Narratives’
Dominic O’Key, Teaching Associate in the Faculty, has published a chapter on Arundhati Roy in Science, Culture, and Postcolonial Narratives. Turning to Roy’s 2017 novel The Ministry of Utmost Happiness, the chapter asks how her representation of vulture extinction challenges the ways we tend to think about species endangerment. Science, Culture, and Postcolonial Narratives is […]
Continue ReadingRisky Character in Crime & Writing on Crime: a Symposium organised by Jess Cotton and Clair Wills, 26th February 2026, Jesus College
This symposium will think about how narratives of risk are employed in legal and social institutions and how emergent narratives of risk are driving new forms of legal inquiry and ways of thinking about criminal responsibility. It will draw together legal scholars, criminologists, journalists, and narrative theorists to investigate the question of risky character in […]
Continue ReadingThe Henn Lecture 2025: Shakespeare and the early modern textile imagination
The 2025 Henn Lecture at St Catharine’s College will be given by Hester Lees-Jeffries (University Associate Professor and Fellow) on 1 December at 5.30pm. Entitled ‘Shakespeare and the early modern textile imagination’, it will present material from her new book, Textile Shakespeare, and will be followed by a drinks reception to celebrate the book’s publication. […]
Continue ReadingListen to Prof. Hurley @TrinCollCam on the language we use about homelessness — broadcast this morning on BBC Radio 4’s ‘Thought for the Day’
Available on BBC Sounds: https://www.bbc.co.uk/programmes/p0mgcl37 Or Spotify: https://open.spotify.com/episode/44fHgV6uJqaFiGL1oYdjVQ Catch up on other recent broadcasts by Prof. Hurley on: AI, beauty, language.
Continue Reading‘The Performance Art of Elaine Mitchener’, December 3rd, Judith E Wilson Drama Studio, 6.30pm
A performance followed by a discussion with Jay Bernard. Elaine Mitchener is a British Afro-Caribbean vocalist, movement artist and composer working between contemporary/experimental new music, free improvisation and visual art. Her work is challenging and direct, bringing a subtle London edge to Black avant-garde traditions stemming from Europe, the Caribbean and America. Core to her […]
Continue ReadingHester Lees-Jeffries publishes ‘Textile Shakespeare’
A new book on Shakespeare and material culture – specifically textile culture – by Hester Lees-Jeffries (University Associate Professor) will be published by Oxford University Press on 11 November. Textile Shakespeare takes as its starting point the centrality of cloth to the culture and economy of early modern England, as it explores what it terms […]
Continue ReadingSarah Kennedy contributes to major new volume on Australian poetry
Dr Sarah Kennedy has a chapter published today in The Cambridge History of Australian Poetry (Cambridge University Press), contributing new insight into the work of the celebrated Australian poet and environmentalist Judith Wright. This landmark volume edited by Ann Vickery and Philip Mead brings together First Nations experts, internationally recognised scholars, distinguished practitioners, and emerging […]
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