Dr Sarah Kennedy, Downing



Biographical Information

BA and LLB from the University of Melbourne, Australia. I came to Cambridge on a Rae and Edith Bennett Travelling Scholarship for my Ph.D. (St. John’s, 2012), supervised by Prof. Adrian Poole. I held a Research Fellowship at Downing College, Cambridge, from 2013 to 2017. I am now a Fellow, Part I Director of Studies, and Development Ambassador at Downing. I have given lectures and talks in the UK, US, Australia, and Italy. In 2017 I was a Visiting Fellow at Pomona College, Claremont, California. 


Research Interests

Twentieth-century and contemporary Anglophone poetry, early and high modernism, metaphor, nature-writing, vibrant materialism, and ecopoetics, the pelagic imaginary, the energy unconscious, literary self-conception, originality, and allusion. I am especially intrigued by questions of poetic influence and the literary afterlives of poets. I am also interested in the postcolonial literatures of the Pacific, including Aotearoa/New Zealand and Australia, and in trans-regional encounters between these literatures and modernist diasporas.



My book T. S. Eliot and the Dynamic Imagination (Cambridge University Press, 2018) follows in the tradition of histories of the Romantic and Victorian poetics of originality, but focusses on the twentieth-century legacy of those histories and their interrelation with parallel fields of knowledge. It charts the relations between metaphor and creativity in T. S. Eliot's poetry and criticism through their affinities with discursive developments in 'new physics', optics, colour theory, cognitive psychology, and anthropology. 


Current project

My current research explores metaphor as the active principle underlying the processes of transmission and assimilation (as well as the vertical pressure of literary influence) that generate creative and ethical tensions within the lyrical selfhood of three exemplary mid-century poets: Seamus Heaney, Elizabeth Bishop and Judith Wright


Areas of Graduate Supervision

I supervise on the Practical Criticism paper for Parts I and II; the Part I 7B Paper English Literature and its contexts 1870 to the present; and on the Postcolonial paper (Pacific Region) for Part II, as well as individual Part I and II dissertations. 


Selected Publications

 T. S. Eliot and the Dynamic Imagination (Cambridge: Cambridge University Press, 2018) 

 ‘Riddling the Future: Textual practice and linguistic reconstruction in post-oil fictions’, Green Letters: Studies in Ecocriticism, vol. 23 (2019), special issue on Petrofiction, forthcoming 

‘Elizabeth Bishop’s Fugitive Empathy’, in Reading Elizabeth Bishop: An Edinburgh Companion, ed. Jonathan Ellis (Edinburgh University Press, 2018)

‘“We reason of these things with later reason”: Plain sense and the poetics of relief in Eliot and Stevens’, Wallace Stevens Journal, Vol 42, Number 1 (Spring 2018): 99–116   

 ‘Elisabeth Frink: Sculptor of living forms’, in Larger than Life: Dame Elisabeth Frink (Heong Gallery, Downing College, Cambridge), November 2017 

‘Let these words answer: Ash-Wednesday and the Ariel Poems’, in The New Cambridge Companion to T. S. Eliot, ed. Jason Harding (Cambridge: Cambridge University Press, 2016)

 ‘“Where’s home, Ulysses?” Judith Wright in Europe 1937’, Journal of Commonwealth Literature (August 2015), DOI: 10.1177/0021989415589833 

 ‘The “unknown, remembered gate”: Four Quartets as spiritual biography’, Literature & Aesthetics 18 (1) June 2008, 84-97