Dr Sarah Meer, Selwyn



Biographical Information

Sarah Meer is a Senior University Lecturer in English, and is also a Fellow and a Director of Studies at Selwyn College.

She took her BA and PhD degrees at Jesus College, Cambridge, and was the Keasbey Research Fellow in American Studies at Selwyn College between 1995-1998. She lectured at Nottingham Trent University during 1998-2003.

Her book Uncle Tom Mania was a finalist for the George Freedley Memorial Award and was widely reviewed, including in Victorian Studies, New England Quarterly, Legacy, American Literature, Journal of American Culture, Journal of Southern History, Journal of African American History, American Literary Scholarship, Civil War Book Review, Slavery and Abolition. Its first chapter has been reprinted in Elizabeth Ammons, ed. Harriet Beecher Stowe's Uncle Tom's Cabin: A Casebook (Oxford University Press, 2007) and partially reprinted in Harold Bloom, ed. Harriet Beecher Stowe's Uncle Tom's Cabin (Chelsea House, 2008).

Current research projects grow out of the different strands of Uncle Tom Mania. 

Her next book will be published by Oxford University Press in 2020. American Claimants: The Transatlantic Romance, c. 1820-1920 recovers a major nineteenth-century literary figure, and its uses in the nineteenth-century imagination of cultural contact and exchange. The American Claimant was a character and a plot device, a figure that was invoked and shared across the Anglophone Atlantic, especially between Britain and the United States. Later, claimants were exported to South Africa, in fictions representing black students who acquired American degrees. The book argues that the claimant was a major and pervasive motif, with literary, rhetorical, and political uses. It was invoked to imagine cultural difference, in relation to identity, inheritance, relationship, or time. It could dramatise tensions between tradition and change, or questions of exclusion and power: it was wielded against slavery and segregation, or privileges of gender and class. American Claimants explores the figure's implications for writers and editors, and also for missionaries, artists, and students, in works created and set in Britain, in the United States, in South Africa, and in Rome. The book touches on theatre history and periodical studies, literary marketing and reprinting, and activism, education, sculpture, fashion and dress reform. Texts discussed range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass' Paper; writers include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain.

Further down the pipeline is a book on nineteenth-century theatre, adaptation and international encounters — Dion Boucicault and the Adaptive Age.



Research Interests

Nineteenth-century literature and culture, including fiction, memoir and popular theatre. Transatlantic connections. Slavery and Abolition.


Areas of Graduate Supervision

Nineteenth-century and American topics

Selected Publications

  • 'Frederick Douglass, Orator', History Now 50 ( special edition: Frederick Douglass at 200, Winter 2018)
  • 'Melodrama and Race', Cambridge Companion to English Melodrama, ed. Carolyn Williams (Cambridge University Press, 2018) 
  • 'Adaptation, Originality and Law: Dion Boucicault and Charles Reade', Nineteenth Century Literature and Film, 2016
  • 'Slave Narratives as Literature', Cambridge Companion to Slavery in American Literature, ed. Ezra Tawil (Cambridge University Press, 2016)
  • 'Old Master Letters and Letters From the Old World: The Uses of Correspondence in Frederick Douglass's Newspapers', Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing, ed. Celeste Marie Bernier, Judie Newman, Matthew Pethers (Edinburgh University Press, 2016)
  •  'Minstrelsy and Uncle Tom', in The Oxford Handbook of American Drama ed. Jeffrey Richards and Heather Nathans (Oxford University Press, 2014)
  •  'Foreign Constellations in a National Drama: Becoming American in Boucicault's Belle Lamar', Nineteenth-Century Theatre and Film, 39/2, 2012
  •  'Public and Personal Letters: Julia Griffiths and Frederick Douglass's Paper', Slavery and Abolition 33, 2012
  •  'Chapter XXX' Commentary for Uncle Tom's Cabin in the National Era (online republication): Harriet Beecher Stowe-Center, Hartford, 2012 http://nationalera.wordpress.com/further-reading/1753-2/ 
  • 'Three Farces' (translated into Japanese by Beniko Imamura) - Higeki Kigeki (Tragedy and Comedy: Japanese theatrical magazine), 2011
  •  'Boucicault's Misdirections: Race, Transatlantic Theatre and Social Position in The Octoroon', Atlantic Studies 6, 2009
  •  'Douglass as Orator and Editor', The Cambridge Companion to Frederick Douglass, ed. Maurice E. Lee, 2009
  •  'Dion Boucicault, the "Political Shaughraun": Transatlantic Irishness and an International Theatre', Symbiosis: A Journal of Anglo-American Literary Relations 10, 2006
  • (with Denise Kohn and Emily B Todd),  'Introduction: Reading Stowe as a Transatlantic Writer', Transatlantic Stowe: Harriet Beecher Stowe and European Culture, ed. Denise Kohn, Sarah Meer, and Emily B. Todd (University of Iowa Press, 2006)
  •  'The Libyan Sibyl: Slavery, Neoclassical Images, and a Non-Atlantic Africa', Complexions of Race: the African Atlantic, eds. Fritz Gysin and Cynthia S. Hamilton, (LIT. Verlag, 2005)
  •  Uncle Tom Mania: Slavery, Minstrelsy and Transatlantic Culture in the 1850s (University of Georgia Press, 2005)
  • 'Competing Representations: Douglass, the Ethiopian Serenaders and Ethnic Exhibition in London', Liberating Sojourn: Frederick Douglass and Transatlantic Reform, eds. Martin Crawford and Alan Rice (University of Georgia Press, 1999)