Dr Subha Mukherji, Fitzwilliam



Biographical Information

Subha Mukherji was educated in Calcutta, Oxford and Cambridge.

Research Interests

Renaissance literature; Shakespeare; law and literature, especially drama; the poetics of space; literary form and epistemology. Book-in-progress: Knowing Encounters: Questioning Knowledge in Early Modern Literature

Principle Investigator on the 5-year interdisciplinary project, Crossroads of Knowledge in Early Modern England: the Place of Literature, jointly hosted by CRASSH and the Faculty of English: http://www.crassh.cam.ac.uk/programmes/crossroads

Areas of Graduate Supervision

Early modern drama; Renaissance genres; literature and cultural history; law and literature; interdisciplinarity; epistemology; sexuality and literature in early modern England; 17th century devotional poetry; faith and form; rhetoric, representation and questions of empathy (focusing on topics such as ekphrasis, enargeia, evidentia and reader/audience response); poetics of space across cultures; migration and migrant knowledge. Authors of particular interest: Wyatt; Hooker; Bacon; Lancelelot Andrewes; Shakespeare; Webster; Massinger; Ford; Herbert.

Selected Publications

  • "'The intelligence of blind things': the insouciant art of Bharti Kher", forthcoming in The Trick is Living, ed. Aveek Sen (Mapin Publications: Ahmedabad, 2020). 
  • Ed., with George Oppitz-Trotman and Rebecca Tomlin, Change and Exchange: Literature and Economics in Early Modern England (forthcoming: Palgrave Macmillan, 2019).
  • 'Forms of Justice': review article forthcoming in Shakespeare Studies 46, 2019 (6645 words). Centred on Regina Mara Schwartz, Loving Justice, Living Shakespeare (Oxford University Press, 2017), and Marissa Greenberg, Metropolitan Tragedy: Genre, Justice, and the City in Early Modern England (University of Toronto Press, 2015).
  • “‘Those are pearls’: transformation, translation and exchange in the early modern literary imagination”, in Patrick McGrath and Regina Schwartz, eds, On Sacramental Poetics (volume submitted and in consideration with University of Notre Dame Press, expected to be published in 2019/2020) (7390 words).
  • 'Facing Justice: Evidence, Legibility and Pensiveness in the Early Modern Imagination', in Maksymillian del Mar, Bernadette Meyler and Simon Stern, eds, The Oxford Handbook to Law and the Humanities (Oxford University Press, forthcoming in 2019). 8070 words.
  • Ed., Blind Spots of Knowledge in Shakespeare and his World (Medieval Institute Publications/De Gruyter, 2019): as editor and contributor. ISBN978-3-11-066199-6 (https://www.degruyter.com/view/product/533943?rskey=kw7Y2b&result=1)
  • Ed. (with Tim Stuart-Buttle), Literature, Belief and Knowledge in Early Modern England: Knowing Faith (Palgrave Macmillan, 2018). ISBN 978-3-319-71359-5 (https://www.amazon.co.uk/Literature-Belief-Knowledge-Modern-England/dp/3319713582). For a Q&A, see http://www.crassh.cam.ac.uk/blog/post/knowing-faith-5-questions-to-subha-mukherji
  • ‘Crossroads of Knowledge: Literature and Theology’, in Subha Mukherji and Tim Stuart-Buttle, eds, Literature, Belief and Knowledge in Early Modern England: Knowing Faith (Palgrave Macmillan, 2018), 3-36.
  • ‘“O she’s warm”: the sensory numinous in Shakespeare’s drama’, in Murphy, R. McDonald and E. Swann, Sensing the Sacred: Religion and the Senses in the Late Medieval and Early Modern World (Taylor and Francis/Routledge, 2018), 227-252.
  •  ‘“A kind of conquest”: the Erotics and Aesthetics of Italy in Shakespeare’s Cymbeline’, in Enza De Francisci and Chris Stamatakis, eds., Shakespeare, Italy, and Transnational Exchange: Early Modern to Present (Taylor and Francis/Routledge, 2017),  96-110.
  • ‘‘The action of my life’: tragedy, tragicomedy, and Shakespeare’s mimetic experiments’: in Michael Neill and David Schalkwyk, eds, The Oxford Handbook to Shakespearean Tragedy (Oxford University Press, 2016), 267-84.
  •  ‘Outgrowing Adonis, outgrowing Ovid: the disorienting narrative of Venus and Adonis’: in Jonathan Post, ed., The Oxford Handbook to Shakespeare’s Poetry (Oxford University Press, 2013), 396-412.
  • ‘Seeing, knowing, believing: the epistemic plot and the poetics of doubt in early modern literature’, in Batsaki, Mukherji and Schramm, eds., Fictions of Knowledge; Fact, Evidence, Doubt (Palgrave Macmillan, 2012), 84-10.
  • Ed. (with Yota Batsaki and Jan-Melissa Schramm), Fictions of Knowledge: Fact, Evidence, Doubt (Palgrave Macmillan, 2012).
  • ‘Middleton and the Rule of Law’, in Thomas Middleton in Context, ed. Suzanne Gossett (Cambridge University Press, 2011), 106-13.
  • “‘Invasion from Outer Space’: the threshold of annunciations”, in Subha Mukherji, ed., Thinking on Thresholds: the Poetics of Transitive Spaces (Anthem, 2011), 43-70.
  • Ed., Thinking on Thresholds: the Poetics of Transitive Spaces (Anthem Press, 2011).
  • Ed. (with Raphael Lyne), Early Modern Tragicomedy (Boydell & Brewer, 2007).
  • ‘False trials and the impulse to try in Shakespeare and his contemporaries’, in Thinking With Shakespeare: Comparative and Interdisciplinary Essays, Ed. William Poole and Richard Scholar (Legenda, 2007), 53-74.
  • ‘False trials in Shakespeare, Massinger and Ford’, Essays in Criticism 56.3, 2006, 219-240.
  • “Jonson's The New Inn and a revisiting of the amorous jurisdiction”, Law and Literature 18.2, 2006, 149-69.
  • Law and Representation in Early Modern Drama (Cambridge University Press, 2006); paperback reprint 2009.
  • ‘Women, law and dramatic realism in early modern England’, English Literary Renaissance 35.2, 2005, 248-72.
  • Subha Mukherji, “‘Unmanly indignities’: adultery and judgement in Heywood's A Woman Killed with Kindness’, in  Erica Sheen and Lorna Hutson, eds., Literature, Politics and the Law in Renaissance England, (Palgrave, 2004), 71-99.
  • “‘Lawfull deede’: Consummation, Custom and Law in Shakespeare's All's Well That Ends Well”, Shakespeare Survery 49, 1996, 181-200.