Paper-Stuff: Materiality, Technology and Invention


University of Cambridge, Faculty of English

10-11 September 2018

Under the auspices of the Centre for Material Texts and the Writing Britain Conference Series

The introduction of paper to the West was a major technological innovation that transformed the ways in which texts of all kinds were transmitted. Having proved itself over many centuries as the intellectual fabric of Asian and Middle Eastern societies, the medium continued to demonstrate an extraordinary capacity for adaptation and diversification when it arrived in Europe. The stuff of playing cards, votive offerings and amulets, packaging and toilet tissue, wall-coverings and quilt-linings, paper was also crucial to the development of quotidian, democratized literacies and to the unfurling of national bureaucracies and capitalist economies. Light (in a single sheet) yet heavy (in a massive folio), durable yet fragile and throwaway, paper’s ability to combine contrary qualities and its willingness to enter into alliance with other substances and technologies helped it seep into every sphere of daily life. Paper’s smooth surface masked fundamental changes in substance—in particular the move from the rag-paper of the late medieval and early modern periods to the wood-pulp paper of modernity. Its protean surface facilitated deep continuities and extraordinary ruptures in European cultural history.

A spate of recent publications has demonstrated the urgency of getting to grips with paper, at a turning-point in our relations with it. The aim of Paper-stuff is to meet this urgency. It will bring together experts in the field, theorists of material culture and representatives of a variety of disciplines with a stake in the subject, so as to understand paper’s empire in the West. Paper-stuff will also take stock of rapidly evolving technologies available for the analysis of paper.

Plenary speakers:
Professor Pádraig Ó Macháin (University College Cork)
Linda Toigo (paper artist)

For the draft programme, click here.

To register, click here.

For further information please contact one of the organisers at the e-mail below.
Dr Orietta Da Rold (
Dr Jason Scott-Warren (

Sponsor: The British Academy

CMT work-in-progress seminar

Join us on Monday 11 June, 1-2 pm in the Board Room, Faculty of English, for a seminar led by Michelle Taylor (a PhD student working on modernist coteries, especially in relation to T. S. Eliot and Nancy Cunard, currently visiting on the Cambridge-Harvard exchange scheme). She will give a short talk entitled:
“Coterie Culture, Modernist Materiality: Past Models and New Problems”
which will be followed by discussion. Feel free to bring your sandwiches!

Cambridge Bibliophiles meetings, Lent 2018


Wednesday, 31st January, at 8.45 p.m.
James Carley: In the Footsteps of the King: John Leland’s Visit to York in 1541
Friends of Peterhouse Seminar Room, Peterhouse

Wednesday, 7th February, at 8.45 p.m.
Dennis Duncan: Sex and Violence and Pseudonyms: Editions du Scorpion and the Post-War Avant-Garde
Friends of Peterhouse Seminar Room, Peterhouse

Thursday, 15th February, 6 p.m. — 8 p.m.
Drinks reception as guests of G. David
An opportunity to meet exhibitors before the Cambridge Book Fair, David’s Bookshop

Wednesday, 28th February, at 8.45 p.m.
Daniel Margócsy, A Census of Vesalius
Friends of Peterhouse Seminar Room, Peterhouse

Wednesday, 7th  March, at 3 p.m.
Visit to the Library of Pembroke College
Assemble at the Porter’s Lodge of Pembroke

Thursday, 15th March, at 8.45 p.m.
Informal meeting, hosted by Scott Mandelbrote, with Basie Gitlin as guest of honour
4 St Peter’s Terrace, Peterhouse

Birkbeck Lectures 2018


Julia M. H. Smith is giving the Birkbeck lectures at Trinity this year, dates and titles as below. Julia is currently planning on holding an open seminar on the day after the final lecture, particularly for interested graduate and early career researchers, to pick up on the topics arising from her talks, details of which will follow closer to the time.

Julia Smith (Chichele Professor of Medieval History, University of Oxford) on ‘Christianity in Fragments: the Formation of the Cult of Relics, c. 300-800.’

5 February: ‘Refashioning the Holy Land’
12 February: ‘Material Blessings’
19 February: ‘Protecting Body and Soul’
26 February: ‘Martyrs, Bones and Bodies’

All lectures take place in the Winstanley Lecture Theatre at 5.00 pm



John Taylor (1578-1653) was one of the most inventive writers of his age. Styling himself ‘The King’s Majesty’s Water-Poet’, he was at once a Thames boatman, a dazzlingly prolific author, and a literary celebrity. He was a pioneer in numerous literary forms, including travel writing, nonsense verse, and the ‘it-narrative’, and was one of the first writers to explore the possibilities of subscription publishing. Taylor was a satirist, a polemicist and a purveyor of printed news who invented the role of the foreign correspondent in his reports back from European war-zones. His works were also crucial to the formation of the British canon and to an emergent sense of national identity.

This conference will be the first to focus exclusively on Taylor’s vast and multifarious oeuvre. Bringing together a group of leading scholars, it will reconsider the significance of the Water-Poet to our understanding of seventeenth-century literature and culture, and his legacy in our own day.

The conference, sponsored by the Cambridge Centre for Material Texts and the University of Southampton, will run from 11.30 on 14 September to 2.15 pm on 15 September, in the Senior Parlour, Gonville and Caius College.

14 September

11.30-12 Registration

12-12.15 Welcome

12.15–1.30: Session One

Bernard Capp, ‘John Taylor goes to War: Civil War writings 1642–1648’

Abi Shinn, ‘“Pace, Amble, Trot, Hand-gallop, Wild-gallop, Fals-gallop”: Motion and Conversion in the Rebellious Roundhead’

1.30–2.15: lunch

2.15–3.30: Session Two

Ros King, ‘John Taylor, playfulness, and nationhood’

Ariel Hessayon, ‘“A Swarme of Sectaries”: John Taylor and the enemies of his religion’

3:30: tea and coffee

4.00–5.45: Session Three

Anthony Ossa-Richardson, ‘Sartor Resartus: Or, A Learned Taylor?’

Adam Smyth, ‘“For a Friers mouth read a Pudding”: John Taylor and the uses of error’

Jason Scott-Warren, ‘Exuvial Taylor’

15 September

9.15–11.00: Session Four

Kirsty Rolfe, ‘The coast of Bohemia: John Taylor’s imagined geographies?’

Jemima Matthews, ‘Taylor’s Thames: Performing local geography and other “useful matters”’

Andrew McRae, ‘Travelling Taylor: Developing an Authorial Identity’

11.00–11.30: tea and coffee

11.30–1.15: Session Five

Will May, ‘The Whimwham: travelling on Taylor’s watery vessels’

Alice Hunt, ‘“And so my journey and my book is done”: John Taylor, England’s Republic and his Final Works, 1649–1653’

Johann Gregory, ‘John Taylor and Engaging Audiences: Findings from a Pilot Project’

1.15–2.15: lunch

The cost of attendance, including lunches, teas and coffees, is £60 (waged) and £30 (unwaged).

Accommodation can be arranged in Gonville and Caius College at a cost of £65.25+VAT (single ensuite) or £81+VAT (twin/double ensuite).

On the night of 14 September, there will be a conference dinner (price not included in booking fee) at a local Indian restaurant.

For a conference flyer, click here. For a booking form in Word format, click here.

For further information, please contact the organisers, Anthony Ossa-Richardson ( and Jason Scott-Warren (



curated by Sophie Seita

Currently on display in the Cambridge English Faculty exhibition space is a selection of some of the most fascinating, rare, important, and often forgotten avant-garde magazines from the early twentieth century all the way up to the present day. ‘A Century of Avant-Garde Little Magazines’ celebrates the crucial and multifarious contributions magazines have made not only to the development of an individual writer’s or artist’s oeuvre, but to numerous national and international avant-garde groupings, and to cultural, political, and aesthetic tendencies more broadly. The exhibition includes print magazines associated with Dada, Modernism, the British Poetry Revival, the mimeograph revolution, feminist and contemporary communities, and a digital display of materials published on the peripheries of Conceptual Art and Conceptual Poetry, Language Writing, Fluxus, and many other avant-gardes. Moving away from a focus on the individual author or the single work, the exhibition emphasises the material richness and collaborative spirit of experimental publications and publishing communities, drawing attention to their innovations in design, typography, and aesthetic form, and to the collective work of editors, practitioners, readers, and other, often invisible, participants. The items on display are on loan from the Cambridge University Library, English Faculty Library, and private collections, while the digital materials are photographs taken in a number of archives, from the Beinecke Library (Yale), Fales (NYU), Princeton, New York Public Library, to MoMA, among others.

An introductory talk by Dr Sophie Seita, Junior Research Fellow at Queens’ College, will take place on Monday, 5 June, 3-4.30 in the Board Room of the Faculty of English.

CMT Research Coffee Morning


An opportunity to discuss your current research with other CMT members. UL tea-room, 11am, Monday 13 March.

CMT exhibition: Jane Austen’s Sanditon


Jane Austen’s Sanditon – 200 Years: the history of an unfinished work

The Cambridge English Faculty is currently displaying material tracing the public life and textual forms of Sanditon, Jane Austen’s unfinished novel, which she composed in the year of her death, 1817.

The manuscript of Sanditon is held in King’s College, Cambridge, where Jane Austen’s great-nephew was Provost. This exhibition traces the public life and developing textual forms of Sanditon, from the first public reference to the work in James Edward Austen’s-Leigh’s 1871 Memoir of his aunt, through to the first published edition of Austen’s fragment (1925), the first facsimile edition (1975) and other continued, illustrated and translated editions, up to digital text. The items on display in this exhibition are on loan from Cambridge University Library and from the Gilson collection at King’s College, Cambridge.

The exhibition, to be found in the first-floor atrium of the Faculty, coincides with a conference about Sanditon to be held at Trinity College, Cambridge, 29-31 March, 2017: details, including registration information are here:

CMT coffee and cake: Thursday 16 March, 10.30, in the exhibition space

Embodying Media: From Print to the Digital

Calls for Papers, Events;


Date: Saturday, 27th May 2017

Venue: Faculty of English, University of Cambridge

Within the study of media theory and history, competing narratives have identified, on the one hand, the absorption of the human voice or body within the text, and, on the other, the development of technology and material texts as extensions of that voice or body. To date these narratives have been largely located from the twentieth century onward. This one-day conference aims to readdress these narratives within a longer historical and wider interdisciplinary perspective. From eighteenth century concepts of the bodily consumption of texts by readers, and words being impressed upon their brains, to more recent imaginings of the multi-sensorial spaces of digital texts and their distribution in the new media landscape, the relationship between the media of writing and the human body has been fraught with affective potentials. This conference aims to examine this relationship between the materiality of texts and the materiality of bodies by bringing together researchers from different disciplines and time periods across the study of textuality.

Moreover, this conference seeks to make use of the potentials of such media forms for academic study. Speakers will be asked to send a digital copy of material related to their presentation ahead of the conference. These materials will be uploaded to the conference website, allowing speakers to explore the implications of their research during their presentations and enabling participants to view the material before and after the conference itself.

Possible topic areas could include:

• The physiology of reading

• The multi-sensory experience of texts: visuals, sonics, and tactility

• Literacy and the materiality of the alphabet

• The (dis)embodied nature of writing

• Technology and media and/as bodily forms of writing

• Text processing from print to the digital

• The Internet and (post)human identity

• Pens, typewriters, keyboards, touchscreens, and other media of writing

• The place of the body in media theory and history

Keynote speaker: Dr Seb Franklin (Lecturer in Contemporary Literature, King’s College London)

Please submit a title and abstract of a maximum of 300 words, along with a short biographical note of up to 50 words, to by 20th February 2017.

Peter Stallybrass talk


PETER STALLYBRASS, ‘Shakespeare’s Desk’

18 November 2016, 18:15 – 19:15

Room S1, Alison Richard Building, West Rd, Cambridge