Rosencrantz/Guildenstern: happy to help, absolutely; Claudius/Gertrude: thanks, guys! (2.2.26-37) #InkyCloak #SlowShakespeare

ROSENCRANTZ         Both your majesties

Might by the sovereign power you have of us

Put your dread pleasures more into command

Than to entreaty.

GUILDENSTERN        But we both obey

And here give up ourselves in the full bent

To lay our service freely at your feet

To be commanded.

CLAUDIUS      Thanks, Rosencrantz, and gentle Guildenstern.

GERTRUDE    Thanks, Guildenstern, and gentle Rosencrantz.

And I beseech you instantly to visit

My too much changed son. Go some of you

And bring these gentlemen where Hamlet is.        (2.2.26-37)

The boys are very proper, very obsequious: both your majesties might by the sovereign power you have of us put your dread pleasures more into command than to entreaty. We are your servants! You didn’t need to ask us nicely; we are bound to obey! You’re the bosses here. Guildenstern’s cannier, perhaps, no, we really really want to do this, it’s not just obeying orders; we both obey and here give up ourselves in the full bent to lay our service freely at your feet to be commanded. We can’t think of anything we’d rather do, than undertake this on your behalf. What a privilege! What a pleasure! Claudius can be amused by this grovelling: thanks, Rosencrantz, and gentle Guildenstern, and there’s a standard laugh at his expense when—as seems likely—he gets them muddled up and has to be corrected by Gertrude: thanks, Guildenstern, and gentle Rosencrantz. But they’re never really differentiated (an interesting challenge for actors?) and to have this slightly cartoonish double-act reasonably central to the plot, mostly surface, little depth, is an intriguing move in a play which is so invested in complexity, withholding, and mixed motives. Claudius is pleased that he can get on to the next thing; Gertrude’s relieved that there might be some way forward with her deeply troubled and troubling son; she wants, begs Rosencrantz and Guildenstern to go to him straight away. I beseech you instantly to visit my too much changed son. (Room for an apprehensive glance between them: what are they walking into? what have they signed up for?) It’s too late; they’re sent off with a servant: go some of you and bring these gentlemen where Hamlet is. No breathing space, and the play rolls on.

View 4 comments on “Rosencrantz/Guildenstern: happy to help, absolutely; Claudius/Gertrude: thanks, guys! (2.2.26-37) #InkyCloak #SlowShakespeare

  1. As you say, R&G aren’t differentiated, and there’s the almost obligatory joke of Claudius mixing them up and Gertrude correcting him. However, one pair that have stuck in my mind are Pearce Quigley as Rosencrantz and Nadia Nadarajah at the Globe in 2018: a white, heavily bearded man and an Asian woman. But what made the parts come to life was that Guildenstern communicated in BSL, and Rosencrantz interpreted; and they clearly knew each other so well that he would often anticipate the end of her sentences (perhaps an element of mansplaining at work as well? But it did leave the impression of a pair that had lived a lot together, knew each other very well, and shared a bond. It’s very rare to feel touched by Rosencrantz and Guildenstern.

    Oh, and Pearce Quigley is the antithesis of one’s conception of a smooth-talking courtier!

    1. that’s lovely! I must have seen that but I can’t remember it well. PQ is such an extraordinary actor, so distinctive in his physicality (as is NN!)

      1. It was the production in which Michelle Terry played Hamlet, dressed part of the time as a clown. I love Pearce Quigley in Detectorists!

        1. Ah yes I did see that, but it would have been on a 2-play day with students and I was probably shattered… I haven’t watched the Detectorists but loved PQ in MND – the clog dancing!

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