I am SNOUT I am the WALL, there is a HOLE in the WALL (5.1.151-167) #MoonMad #SlowShakespeare

THESEUS        I wonder if the lion be to speak.

DEMETRIUS   No wonder, my lord. One lion may, when many asses do.

SNOUT            In this same interlude it doth befall

That I, one Snout by name, present a Wall;

And such a Wall, as I would have you think,

That had in it a crannied hole or chink,

Through which the lovers Pyramus and Thisbe

Did whisper often, very secretly.

This loam, this roughcast and this stone doth show

That I am that same Wall: the truth is so.

And this the cranny is, right and sinister,

Through which the fearful lovers are to whisper.

THESEUS        Would you desire lime and hair to speak better?

DEMETRIUS   It is the wittiest partition that ever I heard discourse, my lord.   (5.1.151-167)

More running commentary; Theseus’s question is reasonable—I wonder if the lion be to speak? (and the audience knows the answer, NO, all he has to do is ROAR, EXTEMPORE), but it’s Demetrius, this time, who seizes the opportunity for a bit of point-scoring witticism: no wonder, my lord—it wouldn’t be at all surprising if the lion were to speak; after all, one lion may, when many asses do. He’s probably being rude about the actors, although there’s a chance that it’s a dig at Lysander. Shhhhh, have you finished? Snout has something to say; he knows it’s a bit silly, but it’s his job and he’d like to be able to do it, thank you very much.

In this same interlude it doth befall that I, one Snout by name, present a Wall. I am Snout! I play the Wall! And such a Wall, as I would have you think, that had in it a crannied hole or chink—a hole in the wall!—through which the lovers Pyramus and Thisbe did whisper often, very secretly. Yes, they did. Secretly. Through the HOLE in the WALL. This loam, this roughcast and this stone doth show that I am that same Wall, the truth is so, Peter Quince, I’ve said all that already, they KNOW I’m the WALL? Oh alright, alright, I’m doing it, and this the cranny is, right and sinister, HERE, SEE? Through which the fearful lovers are to whisper. Got it? I’m DONE.

Would you desire lime and hair could speak better? Did you ever hear a more eloquent wall? And Demetrius has the perfect come-back: it is the wittiest partition (section of an argument; possibly petition, too) that ever I heard discourse, my lord. A very witty wall indeed. Boom.

View 2 comments on “I am SNOUT I am the WALL, there is a HOLE in the WALL (5.1.151-167) #MoonMad #SlowShakespeare

  1. ‘this the cranny is, right and sinister’

    How can a cranny be sinister?
    My Arden seems to assume I know the archaic meaning of sinister is ‘left-hand side’ (I didn’t) for it seems to be alluding to a possible answer without mentioning it.*

    If the wall extends in front and behind SNOUT then SNOUT would turn to show the cranny on his right and then turn back again, and more, to show the cranny on his left.

    If the wall is front on then he would point to the cranny on the right of the wall (as the audience sees it) and then turn around where, hey presto, the cranny is on the left.

    Alternatively (or in addition) there are the jokes involving contradictions

    the cranny is, good and ominous
    the cranny is, right and left

    Whereas playwright Quince would have meant the cranny is on the right and ominous.

    * Arden 1979
    right and sinister] echoing in farcical vein, Chaucer’s ‘Upon that o syde of the wal stood he, / And on that other side stod Thesbe’ (Legend of Good Women, II 750 f.)

    1. I think it’s mostly just nonsense – right suggests the (contradictory) ‘sinister’, and ‘Quince’ is always struggling to make up the verse line… You may be over-thinking the logistics here!!

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