Philostrate: these are your wedding entertainment options! (5.1.42-51) #MoonMad #SlowShakespeare

PHILOSTRATE           [Gives him a paper.] There is a brief how many sports are ripe.

Make choice of which your highness will see first.

THESEUS        [Reads.] ‘The battle with the Centaurs, to be sung

By an Athenian eunuch to the harp’?

We’ll none of that. That have I told my love

In glory of my kinsman Hercules.

‘The riot of the tipsy Bacchanals

Tearing the Thracian singer in their rage’?

That is an old device, and it was played

When I from Thebes came last a conqueror.          (5.1.42-51)

Philostrate is all prepared—and presumably he’s been running elimination rounds, trials, auditions, some kind of screening process: there is a brief how many sports are ripe. Make choice of which your highness will see first. Here’s the options, all printed out; everything’s ready, the final decision and running order are up to you. What does the competition for Peter Quince and his troupe look like? What are the entertainment prospects for an Athenian wedding feast? (And, presumably, a bit of gentle satire of the Elizabethan options too, especially in learned, classically-minded circles; some of these sound a bit like university drama.) Top of the list: ‘The battle with the Centaurs—OK, sounds exciting—to be sung by an Athenian eunuch to the harp?’ Perhaps less exciting, not to say incongruous, all of those big hairy-chested centaurs being described in falsetto? We’ll none of that: Theseus is decisive. Not interested. (Poor Athenian eunuch, he’s been practicing for this for ages, hoping for his big break.) Theseus has a good reason, though: that have I told my love in glory of my kinsman Hercules. I’ve already told Hippolyta all about that—sang a bit, even—because, as you may know, I’m actually related to Hercules? Yes, that’s right. (And, actually, I won that battle against the centaurs. Yes, I did. Perhaps you didn’t realise that?) Option two: ‘The riot of the tipsy Bacchanals tearing the Thracian singer in their rage’? Like the centaurs, the drunken bacchantes sound promising, perhaps—lively, anyway, possibility of leopard-skin bikinis, even? (Demetrius and Lysander might look interested, and Hippolyta?) But, less festive, they’re performing the bit of the story where they rip Orpheus limb from limb and his head floats down the river, still singing. Not very—nuptial? That’s not Theseus’s objection though: that is an old device, and it was played when I from Thebes came last a conqueror. We’ve had that one before! (Apologies to all tipsy bacchante fans: a repeat performance is not going to be encouraged. And, it’s perhaps implied, do better Philostrate, or is that the best you can do?)

View 2 comments on “Philostrate: these are your wedding entertainment options! (5.1.42-51) #MoonMad #SlowShakespeare

  1. A bit of a nerdish comment but I’m intrigued as to what is going on.

    ‘In glory of my kinsman Hercules.’ would suggest Hercules was triumphant at the ‘Battle with the Centaurs’ but he wasn’t even there, and as you say it was Theseus who helped the Lapiths (Ovid). However, in between his Labours, Hercules was in a fight with the surviving centaurs where he single handedly killed most of them, the remaining few fleeing (Pseudo-Apollodorus & Diodorus Siculus). So does Shakespeare mean this fight? 🤔. ‘Battle’ and ‘Centaurs’ tends to mean one thing. I suspect it’s along the same lines as Hercules and Cadmus being talked of as contemporaries. Either way, is he being playful with his fellow classicists in the audience? Bohemia lies by the sea.

    1. Ard3 indeed confirms: They drunkenly fought the Lapiths, a human tribe, for possession of the latter’s women at the wedding of the Lapith king Pirithous, Theseus’ friend. Theseus played a leading part in quelling the centaurs: see Met. 12.227–40, 341–62 (Golding, 12.256–68, 371–94), Plutarch (29.3; North, 16, sig. B2v). Here Theseus self-effacingly phrases his reference as a tribute to Hercules. For his reverence for Hercules and their kinship, see 4.1.111n.

      I think it’s fast and playful, yes; it’s partly there, surely, because it’s such a ridiculous prospect for a wedding entertainment, let alone sung by a eunuch. But the centaur is a glancing reminder of animal hybridity, too… And all of these classical possibilities are helping to set up Pyramus and Thisbe.

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