TEACHING THE CODEX 2: further thoughts on the pedagogy of palaeography and codicology.

REGISTRATION now open.

The colloquium will take place on Saturday, 6th May 2017 at Merton College, Oxford.

Morning and afternoon sessions will each consist of two panels running concurrently on particular topics (1.5 hrs) followed by a plenary session (1 hr) in which members of the two panels will report and comment on the panel session to all of the delegates, and facilitate further discussion.  The hope is that by dividing the delegates into smaller groups than at the last meeting of Teaching the Codex more focused conversations will be generated.

The registration fee is £10:–, covering attendance, lunch, and refreshments.  To register please follow this link to the Oxford University Stores:

http://www.oxforduniversitystores.co.uk/product-catalogue/classics/classics-events/teaching-the-codex-2-further-thoughts-on-the-pedagogy-of-palaeography-and-codicology

The topics under discussion and our speakers are as follows:

(a)    Continental and Anglophone approaches to teaching palaeography and codicology

  • Irene Ceccherini (Oxford) (chair)
  • Marigold Norbye (UCL)
  • Daniel Sawyer (Oxford)
  • Raphaële Mouren (Warburg)

(b)   Pedagogical approaches to musical manuscripts

  • Henry Hope (Bern) (chair)
  • Margaret Bent (Oxford)
  • Eleanor Giraud (Limerick)
  • Christian Leitmeir (Oxford)

(c)    Approaches to teaching art history and manuscript studies

  • Emily Guerry (Kent) (chair)
  • Kathryn Rudy (St Andrews)
  • Spike Bucklow (Cambridge)
  • Emily Savage (St Andrews)

(d)   Taking palaeography further: using manuscripts to engage in outreach with schools and the general public

  • Pauline Souleau (Oxford) (chair)
  • Gustav Zamore (Oxford)
  • Anna Boeles Rowland (Oxford)
  • Sarah Laseke (Leiden)

Closing remarks: Teresa Webber (Cambridge)

For more information on Teaching the Codex, please visit https://teachingthecodex.wordpress.com, or follow us on Twitter (@TeachingCodex).

Any queries, please do not hesitate to contact us: teachingthecodex@gmail.com

We very much look forward to seeing many of you there.

London Medieval Manuscripts Seminar: Programme 2016/7

Institute of English Studies, School of Advanced Study, University of London

Medieval Manuscripts Seminar: Programme 2016/7

 11 October 2016

 Andrew Dunning, British Library

Manuscript Collaboration between Malmesbury and Cirencester Abbeys

From the 1130s to the 1240s, a continual exchange in manuscripts supported the communities of the Benedictine abbey in Malmesbury and the Augustinian abbey in Cirencester. Robert of Cricklade, a canon at Cirencester, wrote of his admiration of William of Malmesbury and his efforts to have copies of several of his works made for the abbey library. Also at Cirencester, Walter de Melida, a scribe and textual critic, used Malmesbury manuscripts for copies of John of Salisbury’s Policraticus and Alan of Tewkesbury’s collection of the letters of Thomas Becket. After the death of Cirencester’s most famous author, Alexander Neckam, in 1217, the prior of Malmesbury provided Walter with a statement of his admiration for Alexander’s Corrogationes Promethei, likely supporting an effort to assemble Alexander’s complete works. In the 1240s, Alexander’s nephew, Geoffrey Brito, compiled a miscellany of his uncle’s works, Sol meldunensis, dedicating it to Geoffrey, abbot of Malmesbury, with an invitation for further contributions. The manuscript appears to have been passed between the two abbeys, with new features added along the way.

22 November 2016

Mary Wellesley, British Library

Graphical Reverence and Script Hierarchy in the manuscript of the N-town Plays

The paper examines the macaronic text of the Magnificat from the ‘Visit to Elizabeth’ pageant in London, British Library, Cotton MS Vespasian D. VIII  — the sole surviving copy of the Middle English play cycle, The N-town Plays. It explores what the scribe’s use of a script hierarchy has to tell us about performance and reading, and the interplay between liturgy and drama.

 31 January 2017

Ainoa Correa Castro, Marie Curie Postdoctoral Research Fellow, King’s College London

The scribes of the Silos Apocalypse (London, British Library, Add. MS. 11695) and the scriptorium of Silos in the late eleventh century

In the late eleventh century Fortunio, abbot of the newly restored Benedictine community of Silos, near Burgos, commissioned the time- and cost-consuming task of replicating for the monastery one of the most significant best-sellers of the peninsular Middle Ages: a Beatus. In doing so, he was continuing a long-lasting Iberian, Mozarabic, tradition originating in the late eighth century. In this seminar the Silos Apocalypse will be examined with the purpose of unveiling who were the scribes who intervened in its copying, what can be known about their professional connections, what was their cultural context, and how this codex fits within the written production of Silos in the late eleventh and early twelfth centuries.

 7 February 2017

Arianna D’Ottone Rambach, Associate Professor of Arabic Language and Literature, Palaeography, Codicology and Numismatics – Sapienza, University of Rome

Arabic Palaeography: Mediterranean contacts and influences

Bilingual and digraphic manuscript-witnesses, papyri, manuscripts and gems, in Greek and Arabic, and Latin and Arabic, offer the opportunity to explore cultural interactions between Mediterranean written practices, and connections between book cultures. A recently discovered, and unique document in Arabic, written in Latin letters, will be also presented and put in context from both the historical and linguistic points of view.

 14 March 2017

David Rundle, University of Oxford

English Humanist Script in England: the first ten years

In the last half century, the outline of the early development in Florence of humanist bookhand, littera antiqua, has been amassed in detail. Central to this was the work of A. C. de la Mare, who also reconstructed the history of that script in England. This paper revisits that topic and reveals the identity of the first known humanist scribe at work in England. The intention, however, is not simply to add to the sum of knowledge about humanism’s reception beyond the European mainland but also to question the established narratives about its spread from its Italian centre to the periphery.

 28 March 2017

Ralph Hanna III (Emeritus Fellow, Keble College, Oxford)

Cambridge, University Library, MS. Dd.1.17

 

Venue: Dr Seng T Lee Centre for Manuscript and Book Studies,
Senate House Library, University of London,
Malet Street, London WC1E 7HU
All meetings at 5.30 p.m., Tuesdays, followed by a wine reception.
Organiser: Julia Crick, King’s College London.

Sanditon: 200 Years

‘Sanditon: 200 Years’ is a conference that will take place at Trinity College, Cambridge from March 29-31, 2017. The conference will mark the bicentenary of the composition of Jane Austen’s unfinished novel, Sanditon, in a year that also marks the bicentenary of Austen’s death. Austen began to write Sanditon in January of 1817. The manuscript closes with the date of March 18. Austen died four months later.

The manuscript of Sanditon is held at King’s College, Cambridge and will be available for participants in the conference to view, along with items from the Dorothy Warren and David Gilson Jane Austen collections, also held at at King’s.

This conference will be devoted to discussing a diverse range of subjects relating to Jane Austen’s last work. Papers on thematic, historical, stylistic and biographical topics are invited. Particular attention will be given to the manuscript of Sanditon and Austen’s compositional processes, as well as to the reception and textual history of Sanditon in terms of editions, adaptations and continuations.

For further details, including the call for papers, see conference website: https://sanditon200years.wordpress.com

Conference organizer: Dr Anne Toner (Trinity College, Cambridge)

Medieval Latin Song from c. 800 to c. 1200 AD

Saturday 2 July, Pembroke College, Old Library

A one-day interdisciplinary conference dedicated to Latin song that was not routinely performed in the liturgy from the Carolingian era through to the New Song repertories recorded from c. 1100 onwards. The opening address is given by Professor C. Stephen Jaeger and the concluding paper by Professor David Ganz. Invited papers will be given by scholars of medieval music based at the Universities of Cambridge and Würzburg, including Professor Susan Rankin and Dr Sam Barrett.  Particular attention will be paid to the earliest manuscripts transmitting medieval Latin song, both notated and unnotated, the place of music in early medieval education, the song culture at Sankt Gallen in the Carolingian era as seen through the lens of its surviving manuscripts, and reassessment of Aquitanian sources for new virtuosic song repertories. For the full programme and registration, see:

https://performinglostsongs.wordpress.com/conference/programme/

In the evening from 7:30pm, a concert of recently reconstructed songs from Boethius’ Consolation of Philosophy will be given by Sequentia, directed by Benjamin Bagby, with Hanna Marti and Norbert Rodenkirchen. A pre-concert talk on the processes of reconstruction will by given by Sam Barrett at 7pm.  Those registered for the conference may purchase tickets at the concessionary rate.  To book tickets, go to:

https://performinglostsongs.wordpress.com/conference/registration/

Cambridge Medieval Palaeography Workshop, Easter 2016

2014-07-25 12.05.36The Cambridge Medieval Palaeography Workshop is a forum for informal discussion on medieval script and scribal practices, and on the presentation, circulation and reception of texts in their manuscript contexts. Each workshop focuses upon a particular issue, usually explored through one or more informal presentations and general discussion. All are welcome. Easter Term meetings will take place in the Milstein Seminar Room, Cambridge University Library between 2-4 PM.

Friday 6 May 2016.

Dr. Irene Ceccherini: ‘The Network of Cursive Handwriting: Late Medieval Italian Notaries, Merchants, Scribes and Scholars between Documents and Books’

Friday 20 May 2016.

Dr. Katya Chernakova: Title To Be Announced.

Dr. Eyal Poleg: ‘The Late Medieval Bible’

Friday 27 May 2016.

Professor David Ganz: ‘When is a ‘Script’ not Several Scribes?’

For more information, see the attached poster.

Convenors: Teresa Webber, Orietta Da Rold, Suzanne Paul, Sean Curran and David Ganz. For further details, email Orietta Da Rold (od245@cam.ac.uk)

The John Coffin Memorial Lecture in Palaeography 2016

Daniel Wakelin (Jeremy Griffiths Professor of Medieval English Palaeography, University of Oxford)

‘Let me slip into something less comfortable’: Gothic Textualis by Accident and by Design

Date: 11/05/2016 – 17:30 – 19:00
Institute: Institute of English Studies
Venue: The Chancellor’s Hall, First Floor, Senate House, Malet Street, London WC1E 7HU

Professor Wakelin is a leading expert in the palaeography and reading culture of the later Middle Ages. He is the author of numerous studies, among them Humanism, Reading and English Literature 1430-1530 (2007) and Scribal Correction and Literary Craft: English Manuscripts 1375-1510 (2014), which was joint winner of the DeLong Prize for book history in 2015. His John Coffin Memorial Lecture concerns the supposed ‘decadence’ of late gothic textualis, especially the more formal grades, whether it entailed effort or conscious design, and instances when individuals misunderstood it or slipped.

http://www.sas.ac.uk/support-research/public-events/2016/john-coffin-memorial-lecture-palaeography-2016

 

Lyell Lectures 2016

‘Public Reading and its Books: Monastic Ideals and Practice in England c. 1000-c. 1300’, to be given by Dr Teresa Webber (Trinity College, Cambridge), in the Weston Library Lecture Theatre (the former ‘New Bodlean’ Library), Broad Street, Oxford, on Tuesdays and Thursdays at 5pm, from 3 May to 19 May, as follows:

3 May ‘Public Reading in Monastic Observance: the framework of norms

5 May ‘Reading the Gospel

10 May ‘Reading the Bible’

12 May ‘Celebrating the Saints’

17 May ‘Reading in Chapter’

19 May ‘Reading at Collation: Monastic Ideals and the Practice of Public Reading’

http://www.bodleian.ox.ac.uk/whats-on/upcoming-events/2016/may/lyell-lectures-1

Workshop “Collecting Knowledge, Creating Knowledge”

COLLECTING KNOWLEDGE, CREATING KNOWLEDGE MEDIEVAL MISCELLANIES BETWEEN AUTHORIAL STRATEGIES AND SELECTIVE RECEPTION

Cambridge, 27 February 2016

Seminar Room 11, Faculty of History (3rd floor)

West Road CB3 9EF

10:00 – 10:30 Welcome Coffee and Registration in the Senior Combination Room

10:30 – 11:00 Introductory remarks by Rosamond McKitterick (Cambridge)

11:00 – 13:00 Reading the Classics

Chair : Mary Garrison (York)

Joanna Story (Leicester) The Reception of Classics in Munich Clm 14641

Justin Stover (Oxford) Victorinus, Isidore and a Bamberg Miscellany

Paulina Taraskin (London) Reading Horace: British Library Harley 2724

Renan Baker (Oxford) Sedulius Scottus and the exempla of Roman imperial biographies

13:00 – 14:00 Lunch in the Senior Combination Room

14:00 – 16:00 Collecting Knowledge in the Early Middle Ages

Chair : Teresa Webber (Cambridge)

Giorgia Vocino (Cambridge) Miscellanies For and From the Classroom: some Italian Examples (9th-11th centuries)

N. Kıvılcım Yavuz (Leeds) The Art of History-Making in Eighth-Century Francia: the Case of Historia Daretis Frigii de origine Francorum

Claire Burridge (Cambridge) Early Medieval Medical Miscellanies: an Exploration of Three Manuscripts

Anna Dorofeeva (Frankfurt) Strategies for Knowledge Organisation in Early Medieval Latin Glossary Miscellanies: the Example of Munich, Bayerische

Staatsbibliothek, Clm 14388

16:00 – 16:30 Coffee & Tea in the Senior Combination Room

16:30 – 17:30 Round table

Attendance at the workshop is free of charge, but registration is required. Depending on the number of attendants we may need to ask for a small contribution to the cost of refreshments.

For further details and to register, please contact Giorgia Vocino (gv275@cam.ac.uk)

CollectingKnowledge_Workshop_27.02.2016

Medieval and Modern Manuscript Studies in the Digital Age (MMSDA)

2 – 6 May 2016, Cambridge and London

The Digital Scholarly Editions Initial Training Network (DiXiT), and run by King’s College London with the University of Cambridge and the Warburg Institute will run in two parallel strands: one on medieval and the other on modern manuscripts.

The course is open to any doctoral students working with manuscripts. It involves five days of intensive training on the analysis, description and editing of medieval or modern manuscripts to be held jointly in Cambridge and London. Participants will receive a solid theoretical foundation and hands-on experience in cataloguing and editing manuscripts for both print and digital formats.

The first half of the course involves morning classes and then afternoon visits to libraries in Cambridge and London. Participants will view original manuscripts and gain practical experience in applying the morning’s themes to concrete examples. In the second half we will address the cataloguing and description of manuscripts in a digital format with particular emphasis on the Text Encoding Initiative (TEI). These sessions will also combine theoretical principles and practical experience and include supervised work on computers.

The course is free of charge but is open only to doctoral students (PhD or equivalent). It is aimed at those writing dissertations relating to medieval or modern manuscripts, especially those working on literature, art or history. Eight bursaries will be available for travel and accommodation. There are thirty vacancies across the medieval and modern strands, and preference will be given to those considered by the selection panel likely to benefit most from the course. Applications close at 5pm GMT on 22 February 2016 but early registration is strongly recommended.

For further details see http://dixit.uni-koeln.de/mmsda/ or contact dixit-mmsda@uni-koeln.de.

Compilation, Composition, and Commonplace Books

2016-01-20 18.40.22The first Centre for Material Texts exhibition is now live in the new exhibition cases on the first floor of the English Faculty at 9 West Road. Graduate students on Ruth Abbott’s MPhil module on 19th century writers’ notebooks have installed an exhibition of original 19th century commonplace books. The exhibition had its first installment in October 2015 at the Wordsworth Museum in Cumbria, and it has now come south and been reimagined for the English Faculty. Come and see these fascinating original manuscripts, and add an entry of your own to our modern commonplace book while you’re there!

WP_20160118_007
Please come to eat cake and celebrate the arrival of our beautiful new display cases on the first-floor landing on Monday, 26 January, from 10.15-11.15 am.